For Damilola Orimogunje, there are many stories the industry isn’t telling. ‘I like to centre the human experience in my films; poor healthcare, poor infrastructure, education and more,’ He says. ‘So when you see it, you can see pain, grief, anguish in these stories. You focus on the plot.’
Habiba Daggash argues that climate change is a threat multiplier which could disrupt all sectors of the African economy. Consequently, she says, ‘it is essential for all economic planning to consider climate change impacts so development strategies and infrastructure investment can be designed to be resilient to both climate impacts and socioeconomic consequences of climate action.’
Though they are crucial to the movement, advocating for the restitution of stolen African artefacts cannot be left to sympathetic actors of the West, Chika Okeke-Agulu argues. He says, ‘It is no surprise that most of the important scholarly publication on royal Benin art have been by researchers overseas who have better access to museums and collections that benefitted, directly or indirectly, from colonial-era looting.’
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