Author and development practitioner, Ayisha Osori ran for office in 2014 and recently changed how she thinks about Nigeria’s political processes. Read our interview.
Author of ‘A Common Currency For West Africa’, Abdulrasheed Isah, wishes he had discovered Arundhati Roy much earlier. ‘I am amazed at how she writes fascinating stories with profound rigour and simplicity… and how she uses fiction as a tool to fight social injustice. Few writers combine these qualities.’
Author of ‘(Purse) Strings Attached’, Paula Akugizibwe, used to resist ambiguity. More recently, however, ‘I’ve grown more comfortable with uncertainty if that’s what is most honest—both in my writing and in my lived experiences—and it’s liberating. Read our interview.
Author of ‘The Revolution Generation’, Abimbola Alaba thinks writing is just like sculpting. ‘There must be a mound of something—clay or wax or stone—to carve and chisel into a semblance of art.’ Read more.
Author of ‘Africa’s Lost Decade’ and ‘Banking on Women’, Fadekemi Abiru believes writing informs as much as it reflects society. She often asks, ‘What, if anything, is the story doing to fix or exacerbate the inequalities and oppressions we know are growing?’
Author of ‘A Post-Coup World’ and ‘Looting as Cartharsis’, Promise Frank Ejiofor, grew up on books. ‘I grew to love literature to the point that I feared that I would go mad if I did not read or write something every week.’
Author of ‘The Measure of Our Lives’, Grey Atanda, wishes they had understood Chinua Achebe’s works sooner. ‘…not getting it crippled my own writing. If I had gotten Things Fall Apart earlier, I think, I would be a much better writer.’
Author of ‘The Case for Colonial Reparations’, Edwin Chege, believes in a ‘supranatural’ writing process, ‘that ideas should flow easily and freely.’ ‘Writing often involves an ethereal, otherworldly process of tapping into some consciousness that is greater than the self.’ Read our interview.
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