The co-founder and executive director of feminist movement, Feminists in Kenya, discusses convening Kenya’s anti-femicide protests of January 2024 and what needs to happen next.
Sudanese poet, Safia Elhillo, feels very differently now about the idea of belonging than she did at the time of writing her award-winning collection, The January Children. Looking back, she was ‘so concerned with a sort of diasporic longing that centered nationhood and nationality as the primary sites of belonging, and I just really don’t believe that anymore.’
Ghanaian writer and author of Blue: A History of the Color as Deep as the Sea and as Wide as the Sky, Nana Ekua Brew-Hammond, says her children’s book was inspired by a Bible passage about the furnishings in King Solomon’s temple.
Award-winning writer and author of When We Were Fireflies, Abubakar Adam Ibrahim, says the writing process for his latest book was both impulsive and compulsive.
Nigerian novelist and author of Like a Mule Bringing Ice Cream to the Sun, Sarah Ladipo Manyika, wants young authors in Africa and the African Diaspora to take inspiration from a wide array of art forms.
Nigerian novelist and author of Dele Weds Destiny, Tomi Obaro, says her debut novel was loosely inspired by her mother’s relationship with her best friends.
Kenyan publisher and co-founder of Soma Nami Books, Muthoni Muiruri, loves to read books that are intellectually stimulating and evoke an emotional reaction: ‘If a book makes me cry and teaches me empathy; if the characters stay with me long after reading, I consider that a forever book. I am also extremely grateful for books that teach me something, that challenge me and force me to reckon with my ignorance and biases and that compel me to want to research and learn.’
South African historian and author of History of South Africa: From 1902 to the Present, Thula Simpson, believes the most common misconception about South African history is related to apartheid: ‘Many believe that apartheid is the central thread of South African history, the overwhelming fact, the unifying category to which all roads and streams must lead, and which can explain all. In fact, apartheid is a specific period in a much longer history of segregation, and it cannot be understood except in the context of that wider story.’
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