Considering the 2024 Kenyan Gen Z protest, and the rising discontent among African youths, can literature play the role of lens in times of moral crisis, that too for a population that doesn’t read?
The bildungsroman is the novel of Nigeria. No other kind of novel captures completely what it means to be Nigerian in the volatile, high-velocity, interconnected world of the twenty-first century.
Cameroonian academic and author of Dog Days, Patrice Nganang, says social media has led to his transformation as a writer: ‘Social media led to my imprisonment, helped me free a few hundred people from jail, build schools and bridges, and feed incarcerated individuals. Simply put, it made me the writer I always dreamed of becoming.’
For much of the sixties, Kampala was at the centre of literature in Africa, its status propelled by Makerere University and Rajat Neogy’s Transition Magazine. However, in the seventies, the violence of Idi Amin forced intellectuals and artists to flee the Ugandan capital and led to the end of Kampala’s cultural dominance in Africa.
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