This photo is for our piece on ‘The Story Comes With Its Own Style’ Sada Malumfashi's First Draft
Sada Malumfashi OJIMA ABALAKA

‘The Story Comes With Its Own Style’ Sada Malumfashi’s First Draft

Essayist and author of ‘Zata Iya: A History of Hausa Feminist Writings’, Sada Malumfashi, has always wondered ‘how different and more diverse the stories of first-generation Hausa novels would have been if women also participated in the writing process.’

Our questions are italicized.

What books or kinds of books did you read growing up?

I grew up surrounded by Hausa literature. I learnt to read in Hausa before I knew how to read in English. My bedtime stories were tales from Abubakar Imam’s Magana Jari Ce, and when I got tired of having to wait for my father to read these stories to me, I began to learn how to read for myself. I would go on to devour all the Abubakar Imam collections in my father’s library. After, I read all the first-generation Hausa novels from the 1930s; then, as a pre-teen, I got interested in Hausa romance novels, which I could read in one sitting. During my secondary school days, I got introduced to Nigerian literature written in English, from Cyprian Ekwensi to Chinua Achebe, and this spiked my interest in other African writers. I soon discovered the works of Wole Soyinka, Abubakar Gimba, and Festus Iyayi, and the poetry of Niyi Osundare, Ken Saro-Wiwa and Christopher Okigbo.

If you could rewrite a classic book, which would it be and why?

I’d...

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