The Books Writers Think Deserve More Attention

Books

Photo Collage from Original Book Covers by Ijapa O / THE REPUBLIC.

the REPUBLIC INTERVIEWS / FIRST DRAFT
In our past First Draft interviews, we asked prominent African authors about the books they believe deserve more attention. Here’s what they told us.
Books

Photo Collage from Original Book Covers by Ijapa O / THE REPUBLIC.

the REPUBLIC INTERVIEWS / FIRST DRAFT
In our past First Draft interviews, we asked prominent African authors about the books they believe deserve more attention. Here’s what they told us.

These days, there are so many books being published by African writers that it can be hard to keep up. It seems that every other week, a new book is announced—whether it’s a debut, a follow-up to a successful first book, or a major comeback after a long hiatus. Already, scores of books have been announced for 2025. While this is no doubt a great thing—the more, after all, the merrier—it also facilitates a situation where literary gems can be buried beneath a flood of new releases.  

For this reason, in our First Draft column at The Republic, we ask prominent authors about the books they believe deserve more attention. Since writers are the ultimate ‘book people’, who better to tell us which books and authors we should be paying more attention to—the masterpieces that may have slipped under our radar? While some authors are content to namedrop certain books, others take a more comprehensive approach. Nigerian editor, Otosirieze Obi-Young, for example, highlights an entire generation of African writers he believes has been overlooked.   

Here are eight writers and the books they think deserve more attention.

TOMILOLA COCO ADEYEMO

I would say contemporary romance novels. Things are changing and our works are becoming more mainstream in recent times, but more romance works deserve more mainstream attention. Read Adeyemo’s full interview here.

MAAME BLUE

No One Dies Yet by Kobby Ben Ben. It has gotten some attention, but it needs more, much, much more. Read Blue’s full interview here. 

CHINUA EZENWA-OHAETO

Many works from Africa remain underappreciated, and honestly, it is hard to pinpoint just one. The literary landscape is vast, and countless voices and stories have yet to receive the attention they truly deserve. It is not always about a single book but rather the collective body of work from diverse regions, cultures, and languages. I believe that much of the magic lies in the multiplicity of narratives, many of which are still waiting for their time to shine. And I must say that one of the reasons why books might be underappreciated is lack of accessibility. Read EzenwaOhaeto’s full interview here.

CHUKWUEBUKA IBEH

No acclaim would ever be enough for Arinze Ifeakandu’s God’s Children Are Little Broken Things. Read Ibeh’s full interview here. 

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ARINZE IFEAKANDU

Behold the Dreamers by Imbolo Mbue? Only because I loved that book, a truly enjoyable read. Read Ifeakandu’s full interview here. 

OTOSIRIEZE OBI-YOUNG

I am thinking not of one book but of a generation. It is the writers who appeared after Chinua Achebe and Wole Soyinka and Ngũgĩ wa Thiong’o, the ones we might say belong to ‘the Second Generation’ of postcolonial African literature, who came of age in the post-independence disillusionment and preceded the set of Adichie and Wainaina. I make that outline because it is a large and shifting group, spread across decades, and includes Buchi Emecheta, perhaps Nuruddin Farah, and Dambudzo Marechera, Kojo Laing, Tsitsi Dangarembga, Damon Galgut, Abdulrazak Gurnah, and perhaps Ben Okri and Bernardine Evaristo.   

It was only recently, in the last five or so years, that the literary world woke up to some of their work and gave Booker Prizes to Evaristo and Galgut and the Nobel Prize to Gurnah. Some of them—say, Farah and Gurnah—have been unconsciously framed as regional voices in the way that the writers before and after them are not. I’d like to see them recontextualized as more than a bridge between the First and Third Generations, which would result in them being more central to the discourse around the growth of contemporary African literature that my generation, the presumed Fourth Generation, must build. Read Obi-Young’s full interview here

CHIOMA OKEREKE

A Girl Is a Body of Water by Jennifer Nansubuga Makumbi. It is a richly layered portrait of the Ugandan society in the 1970s and 19880s, which demonstrates the strength of women across generations—from its headstrong twelve-year old protagonist, Kirabo, to spiritual healer Nsuuta who is well into her 80s. Read Okereke’s full interview here. 

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OTHUKE OMINIABOHS

There is a long list off the top of my head. But if I must name just one book, I’ll pick Water Baby by Chioma Okereke. It’s a book about a nineteen-year-old girl from Makoko, the floating slum of Lagos who yearns for an existence where she can escape the future her father has planned for her. With opportunities scarce, she jumps at the chance to join a newly launched drone-mapping project aimed at broadening the visibility of her community. Then a video of her at work goes viral and she finds herself with options she could never have imagined—including the possibility of leaving her birthplace to represent Makoko on the world stage. But she begins to wonder if life beyond the lagoon will be everything she’s dreamed of, or if everything she has ever wanted has been in front of her all along? Read Ominiabohs’s full interview here.

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