Language Is the First Casualty of Exile

Language

Illustration by Oluwaseye Sanyaolu / THE REPUBLIC.

THE MINISTRY OF ARTS / PEOPLE DEPT.

Language Is the First Casualty of Exile

In the autumn of 2019, while Professor Femi Oyebode and I walked along Prescott Street, he told me that language is the first casualty of exile. I have watched my use of the English language lose its colonial stance for a more limber approach that is quick-witted and light-hearted.
Language

Illustration by Oluwaseye Sanyaolu / THE REPUBLIC.

THE MINISTRY OF ARTS / PEOPLE DEPT.

Language Is the First Casualty of Exile

In the autumn of 2019, while Professor Femi Oyebode and I walked along Prescott Street, he told me that language is the first casualty of exile. I have watched my use of the English language lose its colonial stance for a more limber approach that is quick-witted and light-hearted.

I once sketched the outline of a poem at the Heathrow arrivals bay. I was waiting for a friend and his partner, who were relocating to London from Lagos for good. Expectedly, I called the poem ‘Arrivals’, chronicling my own arrival in London on 18 September, 2019. Back then, Uncle instructed me to ride the elevator to the topmost floor to departures, where he was in his Toyota Prius, the standard vehicle for Uber taxis, especially in South London. My uncle was ready to throttle away as soon as I dumped my luggage into the boot. There was something furtive, sneaky, subversive even about paying the five-pound drop-off tax instead of the premium tariff I would spend holding my car in the assigned basement car park while waiting for my friends at the arrivals bay. I would drive them from Hounslow southwards to Forest Hill that wintry evening. This was the equivalent of driving from Lagos to Ibadan but with better roads. I must confess that ‘Arrivals’ could have been a better poem, perhaps because I hesitated to fill it with all of my life’s anxieties and rich biographical details at the time. Instead, I opted for a snapshot of an immutable memory.  

It was pitch dark when we arrived at Forest Hill, and I was tired. It was too late for me to travel back home, so I elected to spend the night at my uncle’s residence, a home I refused to sleep in when I moved to London in 2019. The logic behind my choice was the principle of paying it forward. I was revising my arrival experience vicariously. ‘Arrivals’ opens with ‘No one was waiting for you at the Arrivals Bay.’ Choosing to wait for my friend and his partner at the arrivals bay, hurling them many miles away from my home, and sleeping on my uncle’s couch was to give them an immutable memory for the future about their arrival in London. There may have been no placards saying their names, but there was a warm presence, a jovial chauffeur, and a reliable tariff-free sedan, and they were not set back by at least 150 pounds.  

A KIND OF KINDNESS

I moved into a one-bedroom flat on Wembley High Road between Covid lockdowns in 2020. It was good riddance to that racist Turkish landlord in Borehamwood, who, in retrospect, may have been a gangster. Parting ways with my brother and sister-in-law, with whom I had lived with for eight months, was not as joyous. They were a newlywed couple who needed privacy to set out on their own terms. Moving to Newcastle was a stretch, but my brother was smiling all the way to the bank with at least 20,000 pounds. Wembley was the first time in my adult life that I would live alone, or so I thought.  

In my time in that flat with a fine metallic view of the Wembley Stadium arch, my front room and the two inflatable airbags I purchased were makeshift holiday inn for numerous friends passing through London for reasons that ranged from vacation to weekend revelry to Nigerian passport renewals to family pickups and drop-offs at the Heathrow Airport to international border Covid restrictions. For every request, there was an eager ‘yes’ on the tip of my tongue. And do I love to play host? Lamb chops melted in butter and rosemary sprigs flashed in a griddle pan (my air fryer recipe, too, bangs!). My oxtail pepper soup could closely rival that of Uju of Akerele Extension. I also make a mean smoky Jollof rice. I often joke that if I cannot practice medicine, I may start a Naija restaurant somewhere on some high street in NW London. My longest lodger left me with the most gracious testimony, even though he punctured my first inflatable airbag on his first night with his belt prong. Last Christmas, he hand-delivered a box of chocolate with a handwritten letter written in lush oxytocin-releasing prose. I felt instrumental in making another man’s way in this journey called diaspora. 

My wife says acts of service are my love language. It is a firstborn thing, particularly if you are from a Nigerian household or worse, if you are raised by my mother, who bartered with her aunt to babysit her kids in exchange for experiencing the inner walls of a school. I don’t see the ‘service’ in these ‘acts’; I see them as what should be done. As a young boy, my father’s second favourite criticism of my behaviour (the first was my feverish clumsiness) was my ‘lack of initiative’. Daddy, I have gained that initiative in ways that you cannot imagine. Sometimes, it means opening my door, my heart, and every dispensable article in my arsenal in service of others. I suppose this is an invaluable skill for a doctor to possess. A desperate need to help others. Some may call it kindness. And, because I traffic in extremes, my brand is a radical kind of kindness. But I am learning restraint, practising an onlooker’s visage, a sort of tamponade for my effusiveness. My wife is impressed with my progress. 

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LONDON IS FULL OF IMMIGRANT PSYCHIATRISTS

In the autumn of 2019, while Professor Femi Oyebode and I walked along Prescott Street, he told me that language is the first casualty of exile. I have watched my use of the English language lose its colonial stance for a more limber approach that is quick-witted and light-hearted. I also understand the British subtext now. (What is not said is more important than what is said). The artifice of using the English language is the superpower of the Brits. I may not yet have the magical handle of turning a phrase, but I can tell when someone is playing smarty pants with me. I have learnt all these in the pristine corridors of the National Health Service (NHS) consulting rooms and in electronic mail exchanges.  

In the five years that I have worked and lived in northwest London, I have worked with enough psychiatrists to conclude that London is full of immigrant psychiatrists. They have all cleared my path in ways that they cannot imagine. They have taught me what they learnt in their years of practice and offered me this most valuable lesson: that I should listen to my patients, who teach me everything I need to know about them and their illnesses. My gratitude also extends to strangers. Like Bus 18 and 79 drivers rewarding my sprint with tacit delays. The Indian lad working the reception at the Peking Chinese restaurant whose roast duck fried rice was for sustenance. The white lad acne survivor, a housing agent par excellence, who ensured my security deposit was returned intact. And Adeola, who ate, drank, laughed and troubled me with snippets of a haunting past. And Femi Oyebade—there will be no man like FO! And Auntie Yemisi Aribisala, with gifts of gourmet ground coffee and other niceties. 

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MUSCLE MEMORY IS THE SECOND CASUALTY OF EXILE

It still happens five years later. Usually, when trying a new route, I may appear at a train station and sprint towards a train to ascertain its destination. It is sensible to read the displayed signs to clarify that you are on the appropriate platform for the appropriate destination. Instead, I take my cue from others, commuters who seem to know where they are going and what they are doing. I sprint after them and grin when the train beeps the inevitable sound, which means it is ready to begin its journey. It is when the metallic millipede bolts forward that my clarity also jolts. Then, I check the destination. Alas, it is not heading to my destination. Blame it on the incessant desire for movement, a tendency unique to Lagosians. 

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DESTINY

YouTube music has an excellent algorithm for trawling songs that hit your consciousness like a teacher’s knock on a dreamy afternoon in a primary school classroom at the University of Lagos Staff School. Take King Sunny Ade and his New African Beats’ little-known late 80s gem ‘Destiny’. The song is a little over five minutes. It is a little too formulaic from its automated digital impulses (at this point, Juju music had reached the zenith of musical experimentation and evangelical pretensions). But the song lyrics were almost entirely done in English with conviction and fluency. ‘Nothing can change my destiny/nothing can change it.’ One day, I walked past Shepherd Bush High Street, and YouTube played King Sunny Ade’s ‘Enikan Ko Le Mojo So Lokun’ from The Good Shepherd. I live for this kind of serendipity. The Good Shepherd is arguably more popular than Destiny in King Sunny Ade’s discography.   Both speak to me from different worldviews.  

I am thinking about the concept of Ori in the Ifa cosmology. Professor Wande Abimbola’s words, ‘Ifa was a witness to every man’s choice of destiny,’ prefaced my re-reading of ‘Ori as each Individual’s Personal Orisa’, one of the poems published in his Sixteen Great Poems of Ifa. In this poem of Socratic reasoning and Delphic questioning, Orunmila asked a committee of Orishas, ‘Who among you gods could follow your devotee to a distant journey over the seas?’ Every Orisha failed to supply an answer. Orunmila then answered the question upon their plodding: ‘It is Ori. It is Ori alone.’ Then, it made sense to me that Sunny Ade’s conviction was the same as mine: ‘Nothing can change my destiny/nothing can change it.’ My destiny was to arrive in London, where I have lived and thrived for five years

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