The Akpoti-Uduaghan Playbook on Resistance Against All Odds

Akpoti-Uduaghan

Photo Illustration by Ezinne Osueke / THE REPUBLIC. Source Ref: WIKIMEDIA. 

THE MINISTRY OF GENDER X SEXUALITY

The Akpoti-Uduaghan Playbook on Resistance Against All Odds

What does it mean to be a Nigerian woman fighting against the establishment? When Senator Natasha Akpoti-Uduaghan was suspended for speaking out against sexual harassment, she inadvertently began to create a blueprint for resistance against seemingly insurmountable odds, where refusal itself can be a form of victory.
Akpoti-Uduaghan

Photo Illustration by Ezinne Osueke / THE REPUBLIC. Source Ref: WIKIMEDIA. 

THE MINISTRY OF GENDER X SEXUALITY

The Akpoti-Uduaghan Playbook on Resistance Against All Odds

What does it mean to be a Nigerian woman fighting against the establishment? When Senator Natasha Akpoti-Uduaghan was suspended for speaking out against sexual harassment, she inadvertently began to create a blueprint for resistance against seemingly insurmountable odds, where refusal itself can be a form of victory.

When Senator Natasha Akpoti‑Uduaghan, representing Kogi Central, publicly accused Senate President Godswill Akpabio of sexual harassment in February 2025, she did not just accuse him; she launched a multi-front defiant act of resistance campaign that stunned even Nigeria’s most vocal feminist political actors. Although her public disclosure of sexual harassment was legally grounded, within days, she was suspended. But far from silence, her relentless pushback would become a blueprint; a map of how women may fight institutional retaliation for generations to come.

Senator Akpoti‑Uduaghan’s strategic response began days before her allegations went public, with a ₦100 billion defamation lawsuit filed through her lawyer Victor Giwa at the Federal Capital Territory High Court. In Nigerian politics, such lawsuits are often dismissed as symbolic. But symbols matter. As Deborah Orji, regulatory compliance analyst and legal team lead at Herbode, explains, ‘Legal precedents, like the case of Honourable Rifkatu Danna, a Bauchi State lawmaker whose 2017 suspension was ruled unconstitutional by the Court of Appeal, show that public records of legal action can affirm rights to representation and challenge institutional pushback.’ In this context, even if outcomes are delayed, the initiation of legal proceedings reinforces the principle that elected women cannot be silenced without scrutiny.

The lawsuit targeted not just disputes over Senate seating arrangements, but also an alleged character defamation through a vicious social media post by Akpabio’s aide, Mfon Patrick. The Facebook post, titled ‘Is Local Content Committee of the Senate, Natasha’s Birthright?’ attacked her appearance with audacious misogyny, claiming she ‘thinks being a lawmaker is all about pancaking her face and wearing transparent outfits to the chambers’ and dismissing her as a ‘cantankerous character’ who ‘bulldozed’ her way into office.

Akpoti-Uduaghan detailed her harassment allegations on Arise Television, claiming Akpabio made inappropriate advances during a December 8, 2023, visit to his Uyo residence, where he suggested she ‘take care of him’ to get her motions heard. As the patterns of gendered attacks became clear, it became obvious that Akpoti-Uduaghan was prepared for these institutional backlashes because she had already experienced it. Her very journey to the Senate itself was, after all, one filled with patriarchal and state attacks against her legitimate election victory.

The Senate’s swift retaliation proved her strategy prescient. Rather than investigating her claims, they suspended her for six months, withdrew her allowances and security detail and dismissed her petition, citing procedural violations. Where several women politicians with multiple odds against them, including a stark lack of solidarity from other women politicians, including the Nigerian First Lady, might retreat and acquiesce to an unforgiving and vengeful patriarchal politics after such sustained attacks on their character and appearance, Akpoti-Uduaghan doubled down. She took her fight to international platforms and social and traditional media, and continued legal battles even as the Nigerian government sued her for defamation. Her unrelenting, multi-front approach offers concrete, replicable tactics for women who refuse to be silenced, proving that even when justice seems impossible, sustained resistance itself can be a form of victory.

THE LAW AS SHIELD AND SPOTLIGHT

In Nigeria’s political arena, where institutions are engineered to exclude women, invoking the law is itself an insurgent act. It is a shield, a buffer against political erasure, and a spotlight: an illumination of the very systems that isolate, silence, and punish women who choose dissent. Legal action in this context is not merely about the possibility of winning in court; it is a public stance, a refusal to disappear quietly.

But first, we need to consider the series of gendered attacks that prompt women politicians to resort to the legal battlefield. Senator Akpoti-Uduaghan’s suspension, after all, is not an isolated event. Across Africa and beyond, women in politics who challenge power structures or demand accountability often face severe consequences. In Zimbabwe, Joice Mujuru, once seen as Robert Mugabe’s successor, was expelled from the ruling party and accused of treason. In Rwanda, Diane Rwigara was arrested and disqualified from politics after criticizing Paul Kagame. Uganda’s Stella Nyanzi was repeatedly jailed for her unfiltered criticism of Yoweri Museveni. Liberia’s Ellen Johnson Sirleaf, despite breaking barriers as Africa’s first elected female head of state, faced exile, imprisonment and relentless political resistance. Even on the global stage, women face similar issues. Venezuela’s María Corina Machado, a leading opposition figure in Venezuela, was banned from running for office despite winning a primary election by a landslide; her punishment for standing against an entrenched regime. In Tunisia, opposition leader Abir Moussi was sentenced to two years in prison after criticizing the election process. Detained since October 2023, she faces politically motivated charges, highlighting the state’s crackdown on dissenting women, just as Finland’s Sanna Marin endured relentless scrutiny and sexist attacks.

What all these cases point to is that the silencing of women in politics is a global issue. However, I argue that in Nigeria, it takes on a particularly entrenched form. Women who dare to challenge the status quo are often met with institutional pushback designed to diminish their influence and credibility. The message is clear: women who refuse to stay silent will always be made to pay a price. They are told, by actions, not just words, that power is not theirs to hold.

This silencing is rarely subtle. In 2018, Nigerian lawmaker Boma Goodhead famously stood up to security forces attempting to barricade the National Assembly. Her act of defiance was met with threats and a media frenzy that sought to question her temperament rather than applaud her courage. Across the continent, similar patterns emerge: Ugandan opposition leader Betty Nambooze has faced multiple arrests, her activism painted as unruly and dangerous, with attacks often targeting her gender as much as her politics.

This is the pattern: women who assert their right to lead, who dare to hold power accountable, are branded ‘troublesome,’ accused of corruption, or subjected to orchestrated smear campaigns. Their personal lives become fair game. Their bodies, their motherhood, their sexual histories; nothing is off-limits. In extreme cases, they face imprisonment, forced exile, or worse. The attacks are never purely political; they are intimately gendered, designed to degrade as much as discredit.

How then may women politicians find justice within such a maliciously dirty play? On paper, the 1999 Constitution, the Electoral Act 2022, the Violence Against Persons (Prohibition) Act, and the Cybercrimes Act all provide statutory protections for women in politics, from physical threats to online abuse. However, as Deborah Orji describes, the legal landscape in Nigeria is one of ‘promising frameworks and poor enforcement. The law exists, but women still struggle to rely on it.’ She cites inconsistent implementation, judicial delays, and the failure of political parties to adopt internal mechanisms against gender-based discrimination.

This legal ambivalence plays out visibly in cases like Senator Akpoti-Uduaghan’s suspension, a move Orji suggests contradicts constitutional provisions that protect elected officials from arbitrary removal. Precedents like Rifkatu Danna v. Bauchi State House of Assembly (2017) and Ali Ndume v. Senate President (2018) reinforce this point: Nigerian courts have ruled legislative suspensions unlawful, and yet such tactics persist, particularly when the dissenting voice is female. Women who speak out, whether in Nigeria, Uganda, or elsewhere across Africa, are often met with swift institutional retaliation. They are labelled ‘difficult’, accused of misconduct, or punished for challenging entrenched hierarchies. ‘Legal and procedural barriers are often weaponized to silence women,’ Orji explains. ‘Not necessarily because they broke the law, but because they dared to confront power.’

Despite this, women continue to turn to the law, not because it always protects them, but because it forces a confrontation. Every court filing, every constitutional challenge, every act of legal defiance becomes part of a larger record, an archive of resistance that chips away at the myth that women do not belong in power.

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PATTERN, NOT PANIC: STRATEGIC STORYTELLING AS RESISTANCE

When Senator Akpoti-Uduaghan appeared on Arise News, she deployed what we can now begin to recognize as her political playbook: controlled delivery, fact-based narration and unwavering composure. She outlined a detailed timeline of institutional aggression that culminated in an alleged sexual proposition with the precision of a witness and the clarity of someone refusing to be silenced.

In Nigeria’s political grammar, where women are often dismissed as overly emotional or unfit to lead, affective testimony is discredited; what holds power is performance. Akpoti-Uduaghan understood this and weaponized it. Her strategy was not to merely call for justice, but to construct it, carefully and publicly. Her language was clean, and her delivery steady. Her silence, when it came, was deliberate, not defeated.

According to Arise News anchor and Nigerian lawyer, Adesuwa Giwa-Osagie, Senator Akpoti-Uduaghan’s response to the Senate’s action was not merely political; it was a revolutionary act of resistance. ‘Her suspension was excessive and decidedly punitive,’ Giwa-Osagie noted, recalling that male senators involved in far more egregious conduct—thuggery, physical altercations, even theft of the Senate mace—faced little to no consequences. What Akpoti-Uduaghan received instead was a six-month suspension and the abrupt withdrawal of her security, a chilling move described by Giwa-Osagie as ‘one of the scariest things’ the Senate could do to a female politician.

Yet Akpoti Uduaghan’s resistance, shaped by both the privileges and punishments of a deeply patriarchal political system, becomes a study in how women navigate and subvert the unspoken rules of participation. She has benefited from patriarchal structures, yes, but has also been brutalized by them. Her method, then, can be read as a delicate choreography: speak enough to indict the system, remain composed enough to survive it. This calculated detachment transforms a private encounter, often dismissed as a ‘personal’ or emotional matter, into a matter of public accountability and a refusal to be shamed into silence.

Giwa-Osagie further explained how women in Nigerian politics are not merely asked to work twice as hard but are expected to endure ten times the scrutiny: ‘They are told to toughen up, be like the men. But they are also told they are not the men, and must, therefore, occupy a separate, subordinate space.’

One of the biggest misconceptions about women in politics, she added, is the assumption that their gender is the most defining aspect of their political identity. ‘Men are allowed to be seen as representatives of their tribes, religions, or ideologies, but women are always seen as women first.’ This singular framing, she explains, limits their ability to be perceived as serious political actors. Even when women rise to power, their presence is often reduced to a symbolic victory rather than a reflection of political credibility. This double bind is what Akpoti-Uduaghan continuously negotiates, and it is precisely why her mode of resistance matters.

Her story is not just about surviving institutional violence; it is about changing the terms of engagement. It is a playbook written in moments, not outbursts. It is resistance crafted in narrative, not noise. And in a country where public memory often rewards the spectacle over substance, Akpoti-Uduaghan insists on being heard without screaming. That, too, is power.

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RESISTANCE WHEN THE SYSTEM FAILS

When the Nigerian Senate suspended Senator Akpoti-Uduaghan, it was not merely political retribution. It was textbook institutional silencing. Hannatu Asheolge, a journalist who also works at Gatefield, sheds light on the systemic challenges that women in Nigerian politics face: ‘It clearly shows how institutional power structures in Nigeria can be weaponized against women who challenge the status quo. Suspension, recall threats, and media attacks are not new tools. But they’re selectively enforced when it comes to disciplining women for being brave.’

However, rather than retreat into silence, Akpoti-Uduaghan expanded her battlefield. She took her fight beyond the Senate floor and the Nigerian media. She turned to international platforms, diaspora advocacy, and transnational legal forums, forcing global eyes to bear witness to a deeply local injustice.

By reframing her suspension as an attack on democratic accountability and gender equity, she exposed how fragile the protections for women in Nigerian politics truly are. Asheolge explained this: ‘Nigeria’s legal system does little to protect people, especially women. It’s not just that institutions fail women; they’re designed to. Male senators have done worse and faced no consequences. But Senator Natasha was suspended and targeted. That’s a pattern.’

With the backlash came the usual arsenal: body-shaming, personal insults, and thinly veiled misogyny. Anonymous aides and social media trolls pounced on her appearance, her relationships, her children, and her tone, weaponizing stereotypes reserved for outspoken Black women.

But Akpoti-Uduaghan did not vanish into their narrative. She named their tactics and reframed the vitriol as political violence. In doing so, she did not just neutralize the insults; she illuminated a broader playbook of how the system disciplines dissenting women.

‘People said she had five children from five men,’ Asheolge recalled. ‘And a mainstream news outlet went ahead to “investigate” and confirm she had fewer children. That’s what they chose to investigate. Not her claims, not the Senate’s conduct. This is how media bias shows up.’

‘This kind of public discrediting isn’t unique to Nigeria,’ Asheolge pointed out. ‘We’ve seen it across Africa; from South Africa’s Phumzile Mlambo-Ngcuka to parliamentarians in Kenya and Namibia. These tactics are designed to make women shrink themselves. To make them stop speaking.’

Even the smallest cues told a story. ‘Why is she always referred to as just ‘Natasha’ in the press?’ Asheolge asked. ‘When it’s male senators, it’s “Senator X”. But for her, it’s Natasha. It’s subtle, but it’s not innocent. It’s a form of reduction.’

Even in the face of institutional hostility, Akpoti-Uduaghan did not retreat. She posted and made public appearances. She partnered with media houses that would amplify rather than distort her voice. She broke news about her legal battles before others could frame them. She stayed emotionally present without slipping into performance. Every appearance was curated to assert her relevance and reclaim her narrative.

The Akpoti-Uduaghan playbook is not just about survival; it is about a long overdue disruption. It shows how women can create alternative power structures when formal ones are stacked against them. It also demonstrates the power of visibility and advocacy in exposing institutional hypocrisy.

When the law fails you, you go louder. When the Senate closes its doors, you open others. Senator Akpoti-Uduaghan’s fight is not just about one woman. It is about the architecture of silence, and how to tear it down, brick by brick, until you are heard.

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WHAT COMES NEXT?

Women’s political participation in Nigeria has long been burdened by deep-rooted barriers, from discriminatory party structures and financial gatekeeping to election violence and smear campaigns that disproportionately target female candidates. Senator Akpoti-Uduaghan’s suspension forces a broader reckoning: Will Nigeria continue to protect exclusionary systems, or will this moment catalyze a shift toward real gender equity in governance?

The significance of Akpoti-Uduaghan’s resistance lies not only in the public defiance of her suspension but in how she sustained visibility and momentum, even with limited solidarity from political peers. While many within the system retreated, she built new alliances, leveraging social media, feminist networks, civil society organizations, and international attention to create pressure points beyond the Senate floor. This was resistance in isolation, yes, but it was also resistance amplified.

Her refusal to disappear set a powerful precedent: that individual courage, when well-strategized, can create institutional discomfort. Her actions disrupted the usual cycle of silence, forcing conversations in diplomatic circles, policy forums, and national and international media. This is how individual resistance translates into institutional pressure: by exposing the inconsistencies, politicizing the public, and refusing to let the issue die quietly.

Organizations like the Women in Leadership Advancement Network, ElectHER, and Gatefield are already responding to this precedent, advocating for policy reforms that protect women from political violence and institutional retaliation. But if Akpoti-Uduaghan’s experience teaches us anything, it is that real change requires more than outrage. It demands legal protections with teeth. It demands a media culture that refuses to echo patriarchal scripts. It demands party-level reforms that dismantle gatekeeping structures and create meaningful paths to candidacy for women. Even if this sounds ambitious or idealistic, her story proves it is not impossible.

Senator Akpoti-Uduaghan’s suspension is a stark reminder of the cost of speaking truth to power. But it is also a blueprint: for younger women entering politics, for civil society actors seeking leverage, for journalists committed to reframing narratives. Her fight has become a reference point. What Akpoti-Uduaghan has done, whether deliberately or instinctively, is document resistance. And in politics, documentation is power.

The suspension, the misogynist backlash, the attempts at erasure; none of it is unique to her. They follow a familiar script, a script that women in Nigerian politics know all too well. Yet, Akpoti‑Uduaghan’s most radical act may not be the lawsuit, the Arise interview, or even her bold speeches on the Senate floor; it is her refusal to be broken.

She showed that when the system fails, the resistance must be louder, smarter, and impossible to ignore. She showed that the political and gendered equality that we are looking for may not come and may not be here, but we can fight. The question now is: who will build on the ground she has broken?⎈

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