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Renowned Author and Feminist, bell hooks, Has Died RxNews 16 December 2021

Tomisin Awosika·December 16, 2021
bell hooks’ works not just tackled subjects like race, gender, class, history, and sexuality but also love and friendship. Read more. Read More...
December 2021NewsUnited States

A Barrel of Rotten Apples How a Judicial Crisis Has Flourished Under Buhari’s Watch

Tosin Osasona·December 15, 2021
The problems of the judicial system in Nigeria predate both the government of President Muhammadu Buhari and even this current republic. Read more. Read More...
December 21/January 22Nigeria
Sangu Delle

‘What We Read Lives in Our Heads’ Sangu Delle’s First Draft

Sangu Delle·December 10, 2021
Entrepreneur, investor and author of ‘Making Futures: Young Entrepreneurs in a Dynamic Africa’, Sangu Delle, thinks success is ‘overhyped’ and has been studying how people fail. Read our interview. Read More...
December 21/January 22First DraftGhanaInterviews
buchi emecheta

Feminism vs Womanism Scanning Buchi Emecheta’s Oeuvre

Sujarani Mathew·December 10, 2021
The liberation of the Black woman and the proclamation of this side-lined group as essential and complex parts of womanhood is the ultimate theme of Emecheta’s writing. Read more. Read More...
December 21/January 22Nigeriavol5-no4

Kehinde: Mother, Woman Identity Formation in Buchi Emecheta’s ‘Kehinde’

Ijedike Jeboma·December 10, 2021
In 'Kehinde‘, Emecheta used brutal ‘documentary-style’ realism to showcase the plights of women in patriarchal societies, and often, the question that lay beneath was, what would our world be if women were freed from toxic gender roles? Read more. Read More...
December 21/January 22Nigeriavol5-no4

Upon Mount Zion, There Shall Be Deliverance The Church and My Political Awakening

Eileen Gbagbo·December 8, 2021
The church was where I had my political awakening. For nearly five years, weekly sermons, prayer sessions and testimonies, gave me an education, about being African in the UK, that I couldn’t get in school. Read more. Read More...
December 20/January 21GhanaThe Black AtlanticUnited Kingdom

Where Is Pan-Africanism Today? The Gains, Challenges and Prospects of Nkrumah’s United Africa

Ogechukwu Okonkwo·December 6, 2021
Kwame Nkrumah envisioned pan-Africanism as a means of uniting and uplifting Africans across Africa and the diaspora but was ousted in 1966 before achieving his aim. Read more. Read More...
December 21/January 22GhanaLibya
Ainehi Edoro-Glines

‘I Now Know How to Write in Short Bursts.’ Ainehi Edoro-Glines’ First Draft

Ainehi Edoro-Glines·December 3, 2021
Academic and founder and editor of Brittle Paper, Ainehi Edoro-Glines, has often heard that the African novel is simply the European novel with African themes. Read our interview. Read More...
December 21/January 22First DraftInterviewsNigeria
kenya

Students in the Struggle for Kenyan Democracy A Brief History of University Student Activism in Kenya

Kasajja Byakika·December 1, 2021
Student activism in Kenya is a form of protest and resistance against oppression. At its very heart, it is also a demonstration of leadership and the capacity for mass mobilization. Read more. Read More...
December 21/January 22Kenya

Buchi Emecheta’s ‘The Joys Of Motherhood’ A Precursor to Contemporary Nigerian Feminist Texts

Mobólúwajídìde Joseph·November 29, 2021
‘The Joys of Motherhood’ could be considered as one of the forebears of feminist issues on reproductive justice and culture within the rich Nigerian literary tradition. Read more. Read More...
NigeriaOctober/November 2021vol5-no4

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We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
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But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
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📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
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The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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