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Bim Adewunmi

‘Beginnings are Easier Than Endings.’ Bim Adewunmi’s First Draft

Bim Adewunmi·October 8, 2021
Producer on This American Life and co-host of Thirst Aid Kit, Bim Adewunmi, says podcasts are not as easy to produce as they may sound. Read our interview. Read More...
Best of 2021First DraftInterviewsNigeriaOctober/November 2021
Andrew Alli

‘I Have Always Been an Eclectic Reader.’ Andrew Alli’s First Draft

Andrew Alli·October 1, 2021
Partner at Southbridge Group and former president and CEO of the Africa Finance Corporation (AFC), Andrew Alli’s reading has always been ‘super-voracious’. Read our interview. Read More...
Best of 2021First DraftInterviewsNigeriaOctober/November 2021vol6-no1
falola

Event: Nigeria – A New History Prof. Toyin Falola’s Independence Day Lecture

The Republic·September 24, 2021
Join Nigerian leading historian, Prof. Toyin Falola, as he discusses Nigeria’s independence, where we are today and what lessons we can draw from history as we plan for the future, especially through civic and social movements. Read More...
August/September 2021Events
mpho matsipa

‘I Take Slow Time Very Seriously.’ Mpho Matsipa’s First Draft

Mpho Matsipa·September 24, 2021
Founder and curator of African Mobilities, Mpho Matsipa, has been thinking about colonial urban histories and the relationship between blackness, landscapes and the environment. Read our interview. Read More...
August/September 2021First DraftInterviews

Who Is Shade Thomas-Fahm?

Tomisin Awosika·September 23, 2021
Folashade Thomas-Fahm is reputed for being the first professionally-trained fashion designer in Nigeria. Read more. Read More...
August/September 2021International Women's Day - IconsNigeria

From Well-Worn Fatigues to Well-Tailored Suits Joseph Garba’s ‘Diplomatic Soldiering’

Afolabi Adekaiyaoja·September 22, 2021
In ‘Diplomatic Soldiering’, the late General Joseph Garba, one of Nigeria’s earliest foreign ministers, presents a case for the tacit but present ‘Big Brother’ role that Nigeria has sought to play across Africa. Read more. Read More...
AngolaAugust/September 2021Editors Picks: Independence DayEthiopiaNigeria

Track Topics Join The Republic as an Editorial Assistant. Deadline: 31 October 2021

The Republic·September 18, 2021
We're hiring a full-time editorial assistant to support our Lagos team. Apply by 31 October 2021. Read More...
DispatchPress Forward!

Justify Join The Republic as an Associate Editor. Deadline: 30 September 2022

The Republic·September 18, 2021
Deadline 30 September 2022: We're hiring a Senior Associate Editor to join our Lagos team. Responsibilities will include managing authors and editors, commissioning and managing essays, and editing essays in collaboration with authors. Read More...
DispatchPress Forward!

Grieving From a Distance A Transatlantic Memorial for My Grandfather

Damilola Oyedele·September 15, 2021
My grandfather passed away from COVID-19. Not being able to grieve physically with my family due to the pandemic’s lockdowns was cruel irony. Read more. Read More...
August/September 2021The Black Atlantic
Nnenna Ifeanyi-Ajufo

‘Tell an African Story!’ Nnenna Ifeanyi-Ajufo’s First Draft

Nnenna Ifeanyi-Ajufo·September 8, 2021
Academic and author of ‘Gender, Anti-Colonialism and Nationalism: Discussing the Legacies of African Women’, Nnenna Ifeanyi-Ajufo, believes it is important that Africans tell our own stories. Read our interview. Read More...
August/September 2021First DraftInterviewsNigeriavol5-no3

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CURRENT ISSUE

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
⁠
Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
⁠
With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
⁠
📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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