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Tinubu

The New Realpolitik

Muzz Muhammad·March 9, 2025
In a deal between Tinubu’s Nigeria and Trump’s America, Trump wins. Tinubu might win too. The Nigerian people will not. Read More...
February/March 2025Nigeria
Mayara Ferrão

Mayara Ferrão’s Blueprint for Decolonial AI Imagery

Jamila Pereira·March 9, 2025
No stranger to the tensions underlying the usage of AI in visual art, Mayara Ferrão is at the forefront of a bold artistic revolution, exploring how artists can use AI to challenge the biases entrenched in mainstream imagery. Through her lens, feminist and queer aesthetics dismantle patriarchal narratives, reimagining identity and inclusion in a rapidly digitizing world. Read More...
February/March 2025
Cameroon

A Song for Cameroon

Achille Tenkiang·March 9, 2025
As artists across the world sampled Manu Dibango’s ‘Soul Makossa’ for global hits, his original contribution faded into the background—a powerful metaphor for how Cameroon’s cultural exports are often consumed without recognition of their origins. Read More...
CameroonFebruary/March 2025
Nigeria

Can Nigeria’s Centre Hold?

Afolabi Adekaiyaoja·March 9, 2025
With the establishment of regional commissions, is Nigeria inching close to true federalism or witnessing the failure of the current governance system? Read More...
February/March 2025Nigeria
Books

10 Books That Belong on Your Reading List This Women’s History Month

Angel Nduka-Nwosu·March 9, 2025
To celebrate Women’s History Month, Nigerian writer and editor, Angel Nduka-Nwosu, compiles a list of books by Black women that belong on your reading list this month and beyond. These books capture the multifaceted experiences of Black women. Read More...
February/March 2025Read Something AfricanReading
Feminist

On Being a ‘Feminist Human’ in an Anti-rights Era

Ololade Faniyi·March 2, 2025
In an era of accelerating anti-rights movements, our feminist liberation depends not on narrowing the gates of belonging, but on dismantling the very logic of exclusion that has been weaponized against all women. Read More...
February/March 2025Nigeria
Credit ratings

The Neo-Colonial Logic of Global Credit Ratings

Nosike Nwajide·March 2, 2025
The influence of credit rating giants, Moody’s Investor Service, Standard & Poor’s and Fitch, in Africa is deeply rooted in colonial legacies. Their systemic biases and harmful economic implications have made African-led reforms to reclaim financial sovereignty necessary. Read More...
February/March 2025
Film

Netflix Decommissions and the Future of Nigerian Filmmaking

Claudia Efemini·March 2, 2025
To reduce overreliance on foreign streaming services like Netflix, the Nigerian film industry must prioritize investment in local distribution and a commitment to quality. Read More...
February/March 2025Nigeria
UCH Ibadan

When Darkness Fell on UCH Ibadan

John Eriomala·March 2, 2025
By 06 February 2025, the University College Hospital in Ibadan had been in a blackout for 97 days. ‘Surgeries are on hold. Patients are dying. And in the best teaching hospital in Nigeria, it is just another Thursday,’ John Eriomala, a medical student, reported from the dark. Read More...
February/March 2025Nigeria
Books

7 Books That Will Send Chills Down Your Spine

Ìjàpá O·March 2, 2025
In our latest book recommendation, we have compiled a list of seven books that will send chills down your spine. From the story of a mansion haunted by the spirit of a grieving lover to the chilling exploration of a disastrous expedition to the Arctic, these books are so eerily terrifying they will raise the hairs on your skin to attention! Read More...
February/March 2025Read Something AfricanReading

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Today in 1993, Nigerians voted in what is widely c Today in 1993, Nigerians voted in what is widely considered the freest and fairest election in the country’s history. #RPUBLCHistory⏳️⁠
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Chief Moshood Abiola was on track to be declared the winner before military head of state Ibrahim Babangida annulled the results. The event derailed a democratic transition, but also marked the beginning of the end for Nigeria’s socialist left.⁠
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In ‘The Shadow of June 12’, Baba Aye examines why the left, once central to Nigeria’s pro-democracy struggle, lost its footing in the aftermath June 12. The left had helped drive the resistance to military rule.⁠
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Organizations like the Campaign for Democracy, and other socialist groups organized protests, built coalitions, and set the ideological tone for a future democratic Nigeria. But when the time came to translate movement into political power, the left fractured.⁠
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The challenge wasn’t just state repression, but a lack of cohesive political strategy. After the annulment, some on the left backed Abiola. Others saw him as a symbol of capitalist elitism. Some were pulled by ethnic loyalties. The unity that once defined them splintered, and with it, their influence.By 1999’s return to civilian rule, many former leftists had joined the establishment.⁠
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June 12 haunts Nigeria not just because of what happened, Aye argues, but because of what didn’t.⁠
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Read more by clicking the image in the link in bio⁠
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📝: Baba Aye⁠
📷: Moshood Abiola at a press conference. 27 August 1993. Eddie Mulholland / IMS Vintage Photos.⁠
The Fading Pride of Ikoyi Cemetery #OnSite⚡⁠
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After many years of poor maintenance, Ikoyi Cemetery now lies in quiet decay. It has transitioned into a fading archive of legacy and societal pride. Cemeteries like Ikoyi and Ajele reflected who a society chose to remember, and how remembrance shaped the civic and cultural life of Lagos. ⁠
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In the race to modernize, Lagos risks losing the values embedded in how it once honoured its past. To walk through Ikoyi Cemetery today is to witness the slow fading of collective memory—and with it, the pride of a city that once took remembrance seriously.⁠
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Today’s essay is a visual presentation by Kelechi Anabaraonye that illustrates the declining state of this final resting place and the contributing factors, like the modernization of Lagos, plaguing the space.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📝: Kelechi Anabaraonye (@jessekujagbor)⁠
📸: Cover Photo Illustration by Dami Mojid (@dami_mojid) / THE REPUBLIC. Photography by Kelechi Anabaraonye.⁠
🔍: Chinonye Otuonye, Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1932, South African playwright, Athol Fug Today in 1932, South African playwright, Athol Fugard, was born. #RPUBLHistory⏳️⁠
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On 11 June 1932, Harold Athol Fugard, South African actor, novelist and playwright of anti-apartheid works such as ‘Sizwe Bansi is Dead’, was born. He was born in Middleburg, South Africa to an Irish father and an Afrikaner mother.⁠
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Read more about South African politics by clicking the image in the link in bio. ⁠
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📝: Mira-belle Ajayi⁠
📷️: 1) Athol Fugard. IMDB⁠
2)Athol Fugard in discussion at the University of California, 1991. Flexible Fotography/Flickr. ⁠
3) Actors at a dress rehearsal for Blood Knot, Monomoy Theatre, Massachusetts, August 2014. Elliot Dodd/Sarah Sierszyn/Flickr. ⁠
The Timeless Solutions of the Gadaa System #OnSite The Timeless Solutions of the Gadaa System #OnSite⚡⁠
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As African states face a crisis of public trust in their democracies, academics and policymakers look to indigenous governance models as a substitute for the current system. One such substitute is the Oromo people’s Gadaa system. ⁠
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With its deep roots in communal involvement, consensus and responsibility, this long-standing system questions whether democracy is indeed a foreign institution on the African continent or whether justice and participatory democracy have long been part of the continent’s cultural and political fabric.⁠
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Author, Nicholas Kimble explores this ancient system of conflict resolution and how it measures up against Western democracy in Africa.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📝: Nicholas Kimble⁠
📸: Illustration by Sheed Sorple Cecil / THE REPUBLIC.⁠
🔍: Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Limited Edition Print Alert!🚨 This vibrant il Limited Edition Print Alert!🚨 

This vibrant illustration by Shalom Ojo captures the electric energy of live theatre, referencing Wole Soyinka’s ‘Canticles of a Pyre Foretold’, staged at the Soyinka Theatre, University of Ibadan in 2024.

Featured in our V9 N1 print issue, ‘Demas Nwoko’s Natural Synthesis’ and paired with the essay, ‘Towards a True Nigerian Theatre’ by Ijapa O, this artwork is a confluence of Nigeria’s enduring creativity and visual storytelling.

Order now via the link on our IG story or click this reel via the link in our bio.
Senator Akpoti-Uduaghan and the Fragility of Gende Senator Akpoti-Uduaghan and the Fragility of Gendered Power in Africa #OnSite⚡⁠
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After accusing Nigeria’s senate president of sexual harassment, Senator Natasha Akpoti-Uduaghan was suspended for six months. Her case reveals a brutal truth about African politics: representation doesn’t always mean protection. African women in politics who speak out are often punished more harshly than the men they accuse.⁠
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Nigeria, despite signing global treaties and passing anti-violence laws, still protects its powerful more than its victims. Even women with status like Akpoti-Uduaghan are reminded just how precarious their power is. ⁠
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As feminist voices grow louder across the continent, the question becomes impossible to ignore:⁠
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If even a senator isn't safe when she speaks out, what does safety look like for the rest of us?⁠
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Read their perspective on the war between gender and African politics by clicking this image in the link in bio or our IG story.⁠
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📝: Olajumoke Ayandele and Chioma Okafor⁠
📸: Photo Illustration by Dami Mojid (@dami_mojid) / THE REPUBLIC. Source Ref: NATASHA AKPOTI / IG.⁠
🔍: Ololade Faniyi (@lolamargaret_), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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