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olusegun obasanjp

The Civil Soldier The Political Legacy of Olusegun Obasanjo

Chukwudi Ukonne·August 4, 2021
Obasanjo’s legacy as a civil soldier is difficult to summarize. Though he made several advances as Nigeria’s longest-serving civilian leader, he missed several opportunities to build institutions that would have helped entrench true civility and democracy within Nigeria. Read more. Read More...
August/September 2021Editors Picks: Independence Day

V5, N3 The Great African Revolution

The Republic·August 1, 2021
The Great African Revolution - Look Inside Read More...
Dispatch
John babalola

Japá Young Nigerians’ Search for Prosperity and Its Effect on Political Participation in Nigeria

John Babalola·July 30, 2021
For many young Nigerians, relocating abroad with little or no intent to return has become a life goal. Read more. Read More...
June/July 2021

Go Viral Join The Republic as a Social Media Manager. Deadline: 17 December 2023

The Republic·July 30, 2021
Deadline 17 December 2023: We're hiring a social media manager to join our team. Responsibilities will include developing smart and highly engaging social media projects and content for the Africa-curious; and developing social media copy to promote reader-to-subscriber conversion.. Read More...
DispatchPress Forward!
tosin osasona

‘Justice is Local.’ Tosin Osasona’s First Draft

Tosin Osasona·July 30, 2021
Security analyst and author of ‘Terrorists or Criminal Gangs: New Lords of Nigeria’s North West’, Tosin Osasona, believes justice is a contextual and local concept. Read our interview. Read More...
Editors Picks: Independence DayFirst DraftInterviewsJune/July 2021
ndidi akahara

Ken Saro-Wiwa’s ‘Sozaboy’ What War Literature Teaches Us About the Political Economy of Violence

Ndidi Akahara·July 28, 2021
Through ‘Sozaboy’, Ken Saro-Wiwa explores how war on the African continent has come to function as a central aspect of political economy in the neoliberal world. Read more. Read More...
June/July 2021Nigeria
max siollun

‘My Writing Process is Excruciating!’ Max Siollun’s First Draft

Max Siollun·July 23, 2021
Nigerian historian, author of What Britain Did to Nigeria and ‘The Wizard of Kirsten Hall’, Max Siollun, thinks that most people have the wrong perception of pre-colonial Africa. Read our interview. Read More...
Best of 2021First DraftInterviewsJune/July 2021Nigeria

Traditions and Trust Medical Ethics in the African Context

Busayo Akinmoju·July 19, 2021
Most Nigerians don't have health insurance, and medical services in Nigeria are notoriously underserved. So how do the country's poorest people get healthcare? Read more. Read More...
June/July 2021
ope adedeji

‘I’m a Very Meticulous Writer.’ Ope Adedeji’s First Draft

Ope Adedeji·July 16, 2021
Author of ‘Books as Ammunition’, Ope Adedeji, believes a common misconception about African writing is that it is only writing that explores heavy themes through a limited set of genres. Read our interview. Read More...
Best of 2021First DraftInterviewsJune/July 2021Nigeria

Everything I Desire Is For Me I Discovered Who I Was When I Stopped Trying to Lose Weight

Oreoluwa George-Taylor·July 12, 2021
Looking back at how my body has changed over the past 15 years, I realized that I already had all the things I was waiting to be ‘thin enough’ for. Read more. Read More...
Best of 2021: EssaysJune/July 2021The Black Atlanticvol5-no4

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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