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osivue itseumah

‘I Get Ideas from the Most Random Places.’ Osivue Itseumah’s First Draft

Osivue Itseumah·July 9, 2021
Author of ‘Banks vs Bitcoins’, Osivue Itseumah, believes that African governments underestimate the potential of cryptocurrencies. Read our interview. Read More...
First DraftInterviewsJune/July 2021

Nigeria’s Expanding LPG Market The Need for Government Regulation and Investment

Oyin Komolafe·July 7, 2021
Nigeria may be one of the fastest-growing LPG markets in the world, but impactful growth will require addressing issues such as under-regulation in domestic LPG markets and a shortage of LPG facilities. Read more. Read More...
Best of 2021: EssaysJune/July 2021

New Lords of Nigeria’s North West Bandits: Terrorists or Criminal Gangs?

Tosin Osasona·July 5, 2021
Banditry primarily impacts rural communities—the very communities responsible for food security—and has disrupted socio-economic life in the North West. Read more. Read More...
Best of 2021: EssaysJune/July 2021
Grieve Chelwa

‘I Read Towards My Biases.’ Grieve Chelwa’s First Draft

Grieve Chelwa·July 2, 2021
Author and economist, Grieve Chelwa, believes popular economics is often wrong about Africa. Read our interview. Read More...
Best of 2021First DraftInterviewsJune/July 2021Zambia

Rep Republic Apply Now: Student Roles at The Republic

The Republic·June 25, 2021
We're currently hiring for two student roles at The Republic. These are paid, part-time positions. Apply by 25 July 2021. Read More...
DispatchPress Forward!
Oyinkansola wumkes

‘You Cannot Write What You Do Not Know.’ Oyinkansola Wumkes’ First Draft

Oyinkansola Wumkes·June 25, 2021
When social justice advocate and author of ‘Decolonizing Human Trafficking’, Oyinkansola Wumkes, writes about human trafficking, she is intentional with her choice of language and imagery. Read our interview. Read More...
First DraftInterviewsJune/July 2021
Edwin Okolo

Iyibo My First 22 Years is a Long Time to Live in a State of Paralysis

Edwin Okolo·June 21, 2021
Iyibo was beautiful. Even now, I remember it, his was the kind of beauty that sears itself into your memory. Read more. Read More...
Best of 2021: EssaysJune/July 2021The Black Atlantic

Nigeria’s Treasure Trove Lessons from the Sukur Cultural Landscape

Kada Ngbale·June 18, 2021
Despite its earlier listing ahead of the Sacred Grove at Osun-Osogbo, the Sukur Cultural Landscape is less known to most Nigerians. Read more. Read More...
June/July 2021
ope adetayo

‘Writing is Work, Not a Fantasy.’ Ope Adetayo’s First Draft

Ope Adetayo·June 18, 2021
Nigerian journalist and author, Ope Adetayo, often encounters misconceptions about Africa. Read our interview. Read More...
Best of 2021First DraftInterviewsJune/July 2021Nigeria

We Have Work to Do Five Lessons for Pro-democracy Activists from the Twitter Ban

Selma Ewurama Hammond·June 14, 2021
The Twitter ban only extends the long line of reasons to be pessimistic about the state of Nigeria. Despite the bleak outlook, we can draw five lessons from the Twitter ban for future political organizing. Read more. Read More...
June/July 2021

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CURRENT ISSUE

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
⁠
It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
⁠
Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
⁠
Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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