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lennon mhishi

‘I Want a Writing Process.’ Lennon Mhishi’s First Draft

Lennon Chido Mhishi·June 11, 2021
Zimbabwean researcher, Lennon Mhishi, enjoyed stories even before he could read. Read our interview. Read More...
First DraftInterviewsJune/July 2021Zimbabwe

Fear A Survivor’s Account of Human Trafficking

Khalih·June 8, 2021
A survivor’s account of human trafficking. Read more. Read More...
June/July 2021KenyaNigeria

The Enduring Life of Exploitation On Modern Slavery in Africa

Lennon Chido Mhishi, Wendy Asquith, Alex Balch, Helen Bryant and Charles Forsdick·June 7, 2021
In the contemporary moment, we are becoming increasingly aware of how the many structural, social, political and economic inequities that underpin exploitation in all its guises have been deepened by the COVID-19 pandemic. Read more. Read More...
June/July 2021
Nigeria and Fernando Po in the 1960s.

When ‘Modern Slavery’ Meant Colonial Rule Nigeria and Panya (Fernando Po) in the 1960s

Enrique Martino·June 7, 2021
The colonial history of Fernando Po in Spanish Guinea and south-eastern Nigeria makes it clear that the new techniques of ‘modern slavery’ varied from deception and entrapment of unsuspecting migrants to harshly enforced debt bondage and penal sanctions for non-fulfilment of contracts. Read more. Read More...
Equatorial GuineaJune/July 2021Nigeria

Africa in Perspective Migration, Mobility and Modern Slavery in Africa

Prince Fater Audu·June 7, 2021
The ongoing economic crises in Africa and the ease in mobility occasioned by free movement policies and protocols have made Africans increasingly vulnerable to migration, therefore, allowing different forms of modern slavery to thrive. Read more. Read More...
June/July 2021
Photo for our essay on decolonizing human trafficking

Decolonizing Human Trafficking Alternative Approaches to Understanding Modern Slavery

Oyinkansola Wumkes·June 7, 2021
Acknowledging that most countries with the highest trafficking rates are former colonies opens up new ways of understanding and potentially eradicating human trafficking. Read more. Read More...
June/July 2021

Modern Slavery, Child Exploitation or Both? Child Marriage in Nigeria

Olayinka Adeniyi·June 7, 2021
Despite child marriage being recognized and prohibited by both international and domestic laws within Nigeria. Child marriage is still prevalent, especially in the North and argued as an Islamic religious practice. Read more. Read More...
June/July 2021

Under the Radar Descent-based Slavery as a Form of Contemporary Slavery

Marie Rodet, Bakary Camara, Marie-Christine Deleigne and Lotte Pelckmans·June 7, 2021
Examining the links between descent-based slavery and contemporary slavery in West Africa helps us to find the missing link to understanding the conditions under which slavery and slavery-like practices keep persisting despite abolitions and international anti-slavery legislation. Read more. Read More...
June/July 2021

‘Lady’ A Feminine Critique of Fela

Merlin Uwalaka·June 7, 2021
Fela’s attempt to invalidate or mock Lady, an African woman transcending the rigid gender norm is anti-feminine, anti-feminist and anti-Nigerian. Women in many pre-colonial societies in what is now known as Nigeria were empowered in ways that Fela’s Lady made fun of. Read more. Read More...
Best of 2021: EssaysJune/July 2021
temi ibirogba

‘Like Black Mirror, But a Book.’ Temi Ibirogba’s First Draft

Temi Ibirogba·June 4, 2021
African policy researcher, Temi Ibirogba sees a lot of misconceptions about Africa and blackness. Read our interview. Read More...
AlgeriaFirst DraftInterviewsJune/July 2021

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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