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Wartime Forced Marriage and Sexual Slavery in Africa Cases from Uganda and Sierra Leone

Allen Kiconco·June 2, 2021
Years after civil wars have ended in northern Uganda and Sierra Leone, women abducted by rebel groups continue to experience exclusion. Their experiences reveal that reintegration is not linear but lifelong and potentially intergenerational. Read more. Read More...
June/July 2021

Searching Through Smoke What an Ancestry Test Could Not Teach Me About My History

Jasmin Joseph·May 31, 2021
In my family, the past had always been a sore subject. I hoped an ancestry test would change that. Read more. Read More...
April/May 2021The Black Atlantic
Emmanuel Akinwotu

‘I Need Deadlines to Focus Me.’ Emmanuel Akinwotu’s First Draft

Emmanuel Akinwotu·May 28, 2021
Journalist, Emmanuel Akinwotu finds the process to be the most exciting part of writing more than end-result. Read our interview. Read More...
April/May 2021First DraftInterviews

The New Mobility Apartheid? The Case for Vaccine Cosmopolitanism

Promise Frank Ejiofor·May 26, 2021
Vaccine passports without vaccine harmonization would tear the entire world apart and suspend the human right―the right of free movement―of the world’s poorest people. Read more. Read More...
April/May 2021
Cryptocurrency essay

Banks vs Bitcoin The Politics of Cryptocurrency Regulation in Nigeria

Osivue Itseumah and Mubarak Abdulfatai·May 24, 2021
In analysing the regulation of cryptocurrencies in Nigeria, the government must consider what this regulation will look like and for whom. Read more. Read More...
April/May 2021
Nafeesah Allen's illustration

‘I Have Never Wanted to Think of Writing as Anything Other Than Enjoyment.’ Nafeesah Allen’s First Draft

Nafeesah Allen·May 21, 2021
Author and independent researcher, Nafeesah Allen believes writing should be something you enjoy. Read our interview. Read More...
April/May 2021First DraftInterviewsMozambique

‘Let Them Buy Guns!’ Will Owning Guns Make Nigerians Safer?

Dafe Oputu·May 19, 2021
Government officials know that owning guns will not protect Nigerians from rising insecurity. So why do such officials keep proposing private gun ownership as a nationwide security measure? Read more. Read More...
April/May 2021

Books As Ammunition How I Found Solace in Rereading Buchi Emecheta’s ‘Second Class Citizen’

Ope Adedeji·May 17, 2021
I couldn’t see writing in my future, despite leaving Nigeria for a creative writing course. Then I read Buchi Emecheta. Read more. Read More...
April/May 2021Best of 2021: EssaysThe Black Atlanticvol5-no4
Ayisha Osori illustration

‘Love Does Not Win Elections’ Ayisha Osori's First Draft

Ayisha Osori·May 14, 2021
Author and development practitioner, Ayisha Osori ran for office in 2014 and recently changed how she thinks about Nigeria’s political processes. Read our interview. Read More...
April/May 2021Best of 2021Editors Picks: Independence DayFirst DraftInterviewsNigeriaNigeria Decided 2023: First DraftNigeria Decides 2023

Invisible People Situating IDPs in Nigeria’s Policies and Economy

Princess Anene-Maidoh·May 12, 2021
Nigeria needs durable solutions that address the many challenges its displaced populations face. With 2.6 million IDPs, addressing displacement in Nigeria is both a moral and economic obligation. Read more. Read More...
April/May 2021KenyaNigeria

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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