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We’ve Just Launched Student Subscriptions! Introducing The Republic for Students

The Republic·May 10, 2021
Students can now get unlimited access to The Republic at any time by paying less than $1.99/month. Subscribe now. Read More...
April/May 2021Dispatch
Oputu-Charter-Cities

The Blank Slate Fantasy The Promise and Pitfalls of International Charter Cities

Dafe Oputu·May 10, 2021
International charter cities, a concept of autonomous cities popularized by American economist, Paul Romer, remain purely theoretical. Despite the many proponents of the idea, no charter city has been successfully implemented. Read more. Read More...
April/May 2021
Illustration of Boetumelo Julianne Nyasulu

‘I Truly Feel Closest to God When I Write.’ Boetumelo Julianne Nyasulu’s First Draft

Boetumelo Julianne Nyasulu·May 7, 2021
Author, Boetumelo Julianne Nyasulu, considers writing to be a form of worshi and feels closest to God when she writes. Read more. Read More...
April/May 2021First DraftInterviewsSouth AfricaZimbabwe

Call for Submissions – Vol. 5, No. 3 Revolutions and Revolutionaries

The Republic·May 6, 2021
Deadline 27 June 2021: The Republic is currently accepting submissions for August-October 2021, in which authors will critically discuss revolutionary leaders and movements in world history. Read More...
April/May 2021

The Wizard of Kirsten Hall Who Was Herbert Macaulay?

Max Siollun·May 4, 2021
75 years ago, Herbert Macaulay, one of the most iconic Nigerians of all time, died. Perhaps his greatest legacy was to establish a political party, Nigerian National Democratic Party (NNDP), which became a vehicle for Nigerian nationalism. Read more Read More...
April/May 2021Editors Picks: Independence Day
Cover image for our issue on Modern Slavery in Africa

V5, N2 Modern Slavery in Africa

The Republic·May 1, 2021
Modern Slavery in Africa - Look Inside Read More...
Dispatch
An Illustration of Nanjala Nyabola

‘Write As Yourself and Write What You Know.’ Nanjala Nyabola's First Draft

Nanjala Nyabola·April 16, 2021
Author and political analyst, Nanjala Nyabola, believes in writing what she knows. Read more. Read More...
April/May 2021Best of 2021First DraftInterviewsKenya
We're on the One World Media Awards Longlist

We’re on the One World Media Awards Longlist Dispatch from The Republic

The Republic·April 14, 2021
We're pleased to announce that The Republic has been nominated by the One World Media Awards in two exciting categories! Read More...
April/May 2021Dispatch

The Ghosts of Chibok Boko Haram’s Trajectory and Nigeria’s Strategy Against Terrorism

Dr Olajumoke (Jumo) Ayandele·April 14, 2021
Following the abduction of the Chibok schoolgirls in 2014, Boko Haram gained notoriety as the deadliest terrorist group in the world. Where is Nigeria today in the war against terrorism? Read more. Read More...
April/May 2021

Izzy Odigie Wants to Send the World a Message ‘Iziegbe’ and the Political Power of the Nigerian Dance Scene

Temi Ibirogba·April 12, 2021
‘Iziegbe’, an eclectic twelve-minute dance film by choreographer, Izzy Odigie, reminds us that dance is a language that can be used for political imagination and storytelling. Read more. Read More...
April/May 2021

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CURRENT ISSUE

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
⁠
On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
⁠
⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
⁠
It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
⁠
Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
⁠
📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
⁠
Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
⁠
Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
⁠
Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
⁠
With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
⁠
📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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