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Heritage

Reimagining Nigerian Heritage

Wale Lawal·November 24, 2024
Our latest issue, Reimagining Nigerian Heritage, celebrates and ruminates on the unknown and underdiscussed aspects of what it means to be Nigerian today. Read More...
NigeriaOctober/November 2024vol8-no4
Museum of West African Art

Making the Museum of West African Art

Wale Lawal·November 24, 2024
Ahead of the official, public launch of the Museum of West African Art (MOWAA) in Benin City, Edo state, set for 2025, MOWAA director Ore Disu discusses her vision for Africa’s most ambitious cultural institution yet. Read More...
InterviewsNigeriaOctober/November 2024vol8-no4
William Onyeabor

The Strange Genius of William Onyeabor

Emmanuel Esomnofu·November 24, 2024
The Nigerian musician William Onyeabor lived an enigmatic life, and his mysteriousness continues to foreground the light his music represents. Read More...
NigeriaOctober/November 2024vol8-no4
Onyeka Onwenu

The Endless Life of Onyeka Onwenu

Kéchi Nne Nomu·November 24, 2024
Nigerian pop icon Onyeka Onwenu died earlier this year. With an iridescent career spanning decades, Onwenu’s knowledge of Nigeria’s failings ran as deep as her capacity to imagine and believe in a better Nigeria. Read More...
NigeriaOctober/November 2024vol8-no4
Kelani

The Timelessness of Tunde Kelani’s Ṣaworoìdẹ

Yusuf Omotayo·November 24, 2024
Tunde Kelani released Ṣaworoìdẹ, the film many consider his best, 25 years ago in 1999 when Nigeria returned to democratic governance. The film continues to address important issues happening in Nigeria today. Read More...
NigeriaOctober/November 2024vol8-no4
Emecheta

Eating With Buchi Emecheta

Ozoz Sokoh·November 24, 2024
Motherhood and food through Buchi Emecheta’s The Joys of Motherhood. Read More...
NigeriaOctober/November 2024vol8-no4
northern

The Fragile Beauty of Northern Architecture

Judith Hassan·November 24, 2024
An exploration of traditional northern Nigerian architecture takes you into Zaria City, where you experience centuries-old tradition and the march of modernity. Through the eyes of a traditional builder, a modern-day architect, and everyday residents, you learn about the meaning of these historic buildings and the issues threatening this rich heritage. Read More...
NigeriaOctober/November 2024vol8-no4
Aṣọ òkè

Our Personal Relationships with Aṣọ Òkè

Olaoluwa Olowu·November 24, 2024
More than just fabric, aṣọ òkè is a piece of family history tied to celebrations and important events. aṣọ òkè often symbolizes the connections, legacies and pride handed down from one generation to the next. Read More...
NigeriaOctober/November 2024vol8-no4
Igba Ọsọ Ahịa

The Misunderstood Economics of Igba Ọsọ Ahịa

Emmanuel Azubuike·November 24, 2024
Igba Ọsọ Ahịa is not just another middleman scheme, but a social business practice deeply rooted in Igbo society that integrates regional traders for the purpose of facilitating entrepreneurialism and financial independence. Read More...
NigeriaOctober/November 2024vol8-no4
Weavers

The Weavers of Iseyin

Foyin Ejilola·November 24, 2024
Aṣọ-òfì does more than exist as a treasured Yoruba fabric and a commodity in Iseyin, its original home. It reflects a societal fabric interwoven with the changing cultural values, social norms, religious beliefs, education and economic systems of the Iseyin community. Read More...
Best of 2024: EssaysNigeriaOctober/November 2024vol8-no4

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
⁠
On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
⁠
Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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