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Kumi

The Interior and Emotional Connections of African Poetry

Chinua Ezenwa-Ohaeto·November 17, 2024
The latest African Poetry Book Fund chapbook box set, Kumi, contains ten chapbooks by nine African poets. This collection rousingly reveals the inescapable realities of human existence through contemporary African poetry. Read More...
NigeriaOctober/November 2024Reading
Emily Nkanga

A Bold Debut in Diasporic Filmmaking

Yinka Adetu·November 17, 2024
In her debut film, Yam and Egg, Emily Nkanga set out to tell a story beyond familiar narratives, focusing on the emotional and mental struggles of migrants as they face loss and adapt to life abroad. Read More...
NigeriaOctober/November 2024
No Love In Lagos

Lagos According to Six Great Musicians

Emmanuel Esomnofu·November 17, 2024
In No Love in Lagos, Show Dem Camp and The Cavemen give a resounding nod to the future of Afropop against the brazen, rich musical backdrop of Lagos. Read More...
NigeriaOctober/November 2024
Oyindamola Shoola

‘Poems That Tell Good Stories Are Hard to Forget’ Oyindamola Shoola’s First Draft

Oyindamola Shoola·November 15, 2024
Author of Face Me I Face You and co-founder of Sprinng, Oyindamola Shoola, is committed to creating a space where African writers can grow, thrive, and be celebrated for their unique contributions: ‘Sprinng was founded in 2016, inspired by the challenges my co-founder, Kanyinsola Olorunnisola, and I faced as young African writers. We recognized the limited support and resources available for writers on the continent. This gap often forces writers to seek opportunities abroad with limited resources to support them.’ Read More...
First DraftInterviewsNigeriaOctober/November 2024
Books

7 Books Funnier Than a Front-Row Seat at a Comedy Show

Ìjàpá O·November 14, 2024
In our latest book recommendation, we have compiled a list of books that are funnier than a front-row seat at a comedy show. From the story of the childhood of one of Africa’s foremost comedians to a biting satire about the Nigerian society, these books will certainly make your belly rumble with laughter. Read More...
October/November 2024Read Something AfricanReading
Russian

The Curious Presence of Russian Flags in African Protests

Adeleke Ogunnoiki·November 10, 2024
Did the waving of the Russian flag by some Nigerian protesters during the 2024 #EndBadGovernance protests mirror Moscow’s soft power in Africa? Read More...
AfricaNigeriaOctober/November 2024
Misogyny

The Semantics of Nigerian Misogyny

Gabriella Opara·November 10, 2024
Nigeria is harming its women with its disregard for their rights and by promoting incel culture and gender-based hate crimes. Read More...
Best of 2024: EssaysNigeriaOctober/November 2024
VAPP Act

What the VAPP Act Repeal Means to Women, Activists and Survivors

Esohe Iyare·November 10, 2024
On 9 July 2024, a bill to repeal and reenact the Violence Against Persons Prohibition (VAPP) Act passed its second reading at the National House of Assembly. Nigerian women analyze this Bill through personal and collective histories on what it could mean for the fight against gender-based violence. Read More...
NigeriaOctober/November 2024
Protests

Why Do African Governments Fear Peaceful Protests?

Favour Olajide·November 10, 2024
In the past year, a series of protests have occurred in Kenya, Nigeria, Uganda, and Tanzania. The responses of the governments of these countries were very similar, reflecting aggression, violence and fear. Read More...
NigeriaOctober/November 2024
LinkedIn

Notes from a LinkedIn Hater

Mifa Adejumo·November 10, 2024
The trouble with LinkedIn is that nothing, not even the ‘empathy’ on rampant display, feels remotely human. Read More...
Best of 2024: EssaysOctober/November 2024

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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