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Olusegun Tosin Kalejaye

‘My Work as an Artist Transcends Mere Social Commentary’ Olusegun Tosin Kalejaye’s First Draft

Olusegun Tosin Kalejaye·September 6, 2024
Nigerian visual artist and book cover illustrator, Olusegun Tosin Kalejaye, says his work transcends mere social commentary: ‘Rooted in storytelling, representation, identity, and historical documentation, my work as an artist aims to evoke a profound emotional response in my audience, serving as a catalyst for change.’ Read More...
August/September 2024First DraftInterviewsNigeria
Lagos-Calabar Coastal Highway

Highway to Where?

Chidera Ukairo·September 1, 2024
Beyond being a transformative infrastructure project aimed at connecting Nigeria’s southern coastline, the story of the Lagos-Calabar Coastal Highway represents the interplay of competing interests in undertaking monumental economic projects. Read More...
August/September 2024Best of 2024: EssaysNigeria
record found here

A Potent Tool of Remembrance

Oyindamola Depo-Oyedokun·September 1, 2024
record found here, lanaire aderemi’s film exploration of the Egba Women’s Revolt, beautifully examines the impact of the movement on those who weren’t old enough to participate in it but were conscious enough to bear witness to its brilliance. Read More...
August/September 2024Best of 2024: EssaysNigeria
D’Tigress

Watching D’Tigress at the Olympics

Nanjala Nyabola·September 1, 2024
The experience of Nigeria’s women’s basketball team at the 2024 Summer Olympics brings to the fore important questions about the state of women’s team sports in Nigeria and the wider continent, and the challenges and priorities in nurturing regional talent. Read More...
August/September 2024Nigeria

7 Unforgettable Characters and the Books That Brought Them to Life

Ìjàpá O·September 1, 2024
In our latest book recommendation, we have compiled a list of seven books with characters you will never forget. From an African American conjure-woman to an overbearing Nigerian polygamist, these characters will etch themselves on your memory for years to come. Read More...
August/September 2024Read Something AfricanReading
Books

Writers and the Books They Grew up Reading

Ijapa O·August 30, 2024
In our past First Draft interviews, we asked authors such as Helon Habila and Sarah Ladipo Manyika about the books they grew up reading. Here’s what they told us. Read More...
August/September 2024First DraftInterviewsReading
August Reading

August Reading 2024 Half-Year Reading from The Republic’s Contributors

Peace Yetunde Onafuye·August 25, 2024
Our 2024 August Reading list features the most important books so far this year based on recommendations from The Republic’s editors and contributors. Read More...
August/September 2024Reading
Wole Soyinka

On Wole Soyinka

Wale Lawal·August 25, 2024
Our latest issue, The Enduring Voice of Wole Soyinka, celebrates the 90th birthday of Wole Soyinka and considers his influence on literature, African thought, plus more. Read More...
August/September 2024Nigeriavol8-no3
Soyinka

The Enduring Voice of Wole Soyinka

Wale Lawal·August 25, 2024
As he turns 90, Wole Soyinka discusses the current state of the world, the power of African literature, the social climate in Tinubu’s Nigeria, and the world ahead. Read More...
August/September 2024Interviewsvol8-no3
Soyinka

What Wole Soyinka Means to Me

Sarah Ladipo Manyika·August 25, 2024
A native daughter reflects on the life and legacy of a literary giant. Read More...
August/September 2024vol8-no3

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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