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Digging for Gold: Personal Experiences from Zimbabwe

Digging for Gold in Zimbabwe

Marie-Simone Kadurira·August 11, 2024
During Zimbabwe’s economic turmoil of the late 2000s, my sister and I navigated a land defined by scarcity and resilience as we experienced the collapse of Zimbabwe’s economy, our community and our family.  Read More...
August/September 2024Best of 2024: EssaysZimbabwe
The Dilemma of the Nigerian Food Content Creator

The Dilemma of the Nigerian Food Content Creator

Foyin Ejilola·August 11, 2024
Food content creation in Nigeria is a booming niche that blends creativity, the cultural diversity in the country, and a global food culture. The scene is however marred by ethnic prejudices and online bullying. Read More...
August/September 2024Best of 2024: EssaysNigeria
Lebanese

The Quiet Politics of Lebanese Nigerians

Abubakar Usman·August 11, 2024
The Lebanese in Nigeria form one of the country’s most dynamic diaspora communities, with a fascinating history marked by notable commercial success and subtle political influence. Read More...
August/September 2024LebanonNigeria
Funmilayo Ransome-Kuti

A Tussle Between Fact and Fiction

Yinka Adetu·August 11, 2024
While Bolanle Austen-Peters’ biopic on Funmilayo Ransome-Kuti takes a bold leap in Nollywood’s approach to biographical storytelling, the creative liberty of the director overclouds the distinction between fact and fiction. Read More...
August/September 2024Nigeria
Fire in the Wind

A Manual on the Use of Subtext and Subplot

Mazeedah Olutosin·August 11, 2024
Following its publication, Kike Ojo’s Fire in the Wind enjoyed only brief publicity. One might wonder why this was the case, but upon closer inspection, her use of subtext and subplot may offer an explanation. Read More...
August/September 2024Best of 2024: EssaysNigeriaReading
Books

7 Books That Get Better Every Time You Reread Them

Peace Yetunde Onafuye·August 11, 2024
In our latest book recommendation, we have compiled a list of seven African books that get better every time you reread them. These books reward your curiosity with fresh perspectives and hidden details, making each reread worthwhile. Read More...
August/September 2024Read Something AfricanReading
Nadia Davids

‘Plays Are an Astonishingly Intimate Way of Experiencing Art and Time’ Nadia Davids’ First Draft

Nadia Davids·August 9, 2024
South African writer, Nadia Davids, says her latest play, Hold Still, first came to her when she was living in London in 2015: ‘There was a constant stream of horrific news stories depicting families fleeing their homes. I wanted to explore how ordinary people responded to a humanitarian crisis and how family histories shape us. I also wanted to consider what happens when the crisis reaches our own homes.’ Read More...
August/September 2024First DraftInterviewsSouth Africa
Áfàméfùnà

Gender, Áfàméfùnà and the Nwa Boi System

N. F. Kenure·August 5, 2024
The depiction of women in the film, Áfàméfùnà, raises critical issues about the media’s decisive role in shaping societal views and reinforcing gender-specific ideologies. Read More...
August/September 2024Best of 2024: EssaysNigeria
Sudan

To Bear Time: On Sudan’s Long Endurance

Joshua Segun-Lean·August 4, 2024
The war in Sudan has displaced millions and cast a shadow over the country’s future. Against these odds, the spirit of popular struggle endures in ‘minor’, indeterminate scales of social and political action. Read More...
August/September 2024Sudan
The Gathering of Bastards

The Geo-Politics of Identity Has a New Witness

Adesiyan Oluwapelumi·August 4, 2024
The Gathering of Bastards by Romeo Oriogun is an urgent and immersive book, ushering readers into a contemplative experience on belonging to self, community, and the ecosystem of the world. Read More...
August/September 2024Best of 2024: EssaysNigeriaReading

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
⁠
Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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