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Emmanuel Esomnofu

‘There Is No Flawless Artist’ Emmanuel Esomnofu’s First Draft

Emmanuel Esomnofu·July 26, 2024
Music journalist and author of ‘The Songs of Jos’, Emmanuel Esomnofu, is interested in writing about creators whose influence extends beyond Lagos: ‘It is a purposeful mission to de-centre the city in Nigerian music discourse, as people seem to think our musical history begins and ends with Lagos.’ Read More...
First DraftInterviewsJune/July 2024Nigeria
Afrobeats

The ‘Essence’ of Afrobeats

Tilewa Kazeem·July 21, 2024
Afrobeats has gone global, but is Nigeria’s music industry winning or losing as a result of this success? Read More...
June/July 2024Nigeria
Gaskiya Corporation

Looking for Gaskiya Corporation

Aisha Kabiru Mohammed·July 21, 2024
On a humid afternoon in May 2023, the photographer Eslah Yusuf and I​​ searched for the building that housed Northern Nigeria’s oldest printing press and publishing house. Read More...
Best of 2024: EssaysJune/July 2024Nigeria
What is Happening to the Naira?

What is Happening to the Naira?

Chinenye Iwuh·July 21, 2024
Is it floating? Is it sinking? With the nose-dive the naira took following the latest policy to float the currency, there has been an intense sense of distress regarding the future of the currency and the Nigerian economy. Read More...
June/July 2024Nigeria
Luo

Not Every Luo Loves the Lake

Tonny Ogwa·July 21, 2024
When people refer to the Kenyan Luo community as ‘People of the Lake,’ my clan, JoKamreri, do not know what the hell you’re talking about. Read More...
June/July 2024Kenya
Books

7 Books to Help You Understand Your Grief

Peace Yetunde Onafuye·July 21, 2024
In our latest book recommendation, we have compiled a list of seven books to help you understand your grief. These books offer fresh perspectives, aiding in comprehending and navigating your journey through healing. Read More...
June/July 2024Read Something AfricanReading
Books writers

The Books 10 Writers Would Pass on to Someone Younger

Peace Yetunde Onafuye·July 19, 2024
In our past First Draft interviews, we asked authors such as Leila Aboulela and Ayọ̀bámi Adébáyọ̀ about the books from their childhood they would pass on to someone younger. Here’s what they told us. Read More...
First DraftInterviewsJune/July 2024Reading
APC Fuel Subsidy

APC’s Unspoken Rules of Fuel Subsidy

Doyin Olagunju·July 14, 2024
During Goodluck Jonathan’s administration, the All Progressives Congress heavily criticized and campaigned against removing the fuel subsidy. Now the ruling party finds itself dealing with the aftermath of its own fuel subsidy removal. Read More...
June/July 2024Nigeria
The Road to the Country

A Song for the Forgotten

David Emeka·July 14, 2024
Despite the existing literature, the Biafran war remains a criminally underexplored event. The Road to the Country by Chigozie Obioma makes that canon a little less bereft. Read More...
June/July 2024NigeriaReading
Angola

Angola Wants a Pan-African Court of Justice

Rui Verde·July 14, 2024
Angola has become the first country to ratify the Malabo Protocol, paving the way for the creation of a true international African court of justice. What does Angola hope to gain from this move, and why now? Read More...
AngolaJune/July 2024

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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