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Renaissance

A Three-Act Renaissance

Edwin Okolo·April 14, 2024
Beyoncé, the internet and my relationship with money. Read More...
April/May 2024Best of 2024: Essays
ECOWAS

ECOWAS Needs to Have a Face

Tolu Asade·April 14, 2024
The renewed case for stronger economic integration within ECOWAS. Read More...
AfricaApril/May 2024
African Philosophy

African Philosophy Cannot Be a Thing

Idowu Odeyemi·April 14, 2024
We must be careful in our attempt to define African philosophy conceptually. Because to define it is to limit it—and to limit it is to conserve it. Read More...
AfricaApril/May 2024
NYSC

End NYSC Already

Doyin Olagunju·April 14, 2024
The National Youth Service Corps (NYSC) began as a conciliatory post-war programme aimed at nation-building. But now, it is a softer, but no less punitive drafting system with adverse consequences on young people and Nigeria’s finances. Read More...
April/May 2024Nigeria
African books

7 African Books Every Food Lover Should Read

Peace Yetunde Onafuye·April 14, 2024
In our latest book recommendation, we have compiled a list of seven African books for every food lover. These books explore food across Nigeria, Ghana, Uganda, Senegal, Ethiopia, as well as the African diaspora. Read More...
April/May 2024Read Something AfricanReading
Theresa Lola

‘I Know a Poem Is Complete When I Am Both Unsettled and at Peace’ Theresa Lola’s First Draft

Theresa Lola·April 12, 2024
Nigerian poet and author of In Search of Equilibrium, Theresa Lola, believes a poem is complete when she is both unsettled and at peace. Read More...
April/May 2024First DraftInterviewsNigeria
Anti-Femicide Protests

‘It Is Not Feminism If It Is Not Political’

Wale Lawal·April 6, 2024
The co-founder and executive director of feminist movement, Feminists in Kenya, discusses convening Kenya’s anti-femicide protests of January 2024 and what needs to happen next. Read More...
April/May 2024InterviewsKenya

Remembering Kampala

Carey Baraka·April 6, 2024
For much of the sixties, Kampala was at the centre of literature in Africa, its status propelled by Makerere University and Rajat Neogy’s Transition Magazine. However, in the seventies, the violence of Idi Amin forced intellectuals and artists to flee the Ugandan capital and led to the end of Kampala’s cultural dominance in Africa. Read More...
April/May 2024Best of 2024: EssaysUgandavol8-no3
Haile Selassie I

Haile Selassie I and Pan-African Diplomacy

Kai Mora·April 6, 2024
Perhaps a latecomer to ​​pan-African ideology, Ethiopian Emperor Haile Selassie I was nevertheless unique in his contribution to pan-Africanism. He urged all those working for a united global Africa to consider pan-Africanism as not an end unto itself, but an indispensable means toward a broader horizon of a new humanity free from imperialism and exploitation. Read More...
AfricaApril/May 2024Ethiopia
Nightbloom

A Whirlwind of Fractured Sisterhood and Dysfunctional Families

Kikachi Memeh·April 6, 2024
In her second novel, Nightbloom, Peace Adzo Medie uses issues associated with womanhood and family dynamics to speak to larger societal issues in Ghana. Read More...
April/May 2024GhanaReading

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CURRENT ISSUE

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Climate Change Culture & Society Economics Gender & Feminism History International Affairs Politics & Security Science & Technology

We’re on Instagram!

republicjournal

The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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