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African Book Clubs

7 Books Your Book Club Should Be Reading Now

Peace Yetunde Onafuye·March 24, 2024
In our latest book recommendation, we have compiled a list of seven books that are great for your book club’s future gatherings. These books will ignite thoughtful conversations, and foster connections among your reading community. Read More...
February/March 2024Read Something AfricanReading
Abubakar Adam Ibrahim

‘Every Story Has Its Own Spirit and Demons’ Abubakar Adam Ibrahim’s First Draft

Abubakar Adam Ibrahim·March 22, 2024
Award-winning writer and author of When We Were Fireflies, Abubakar Adam Ibrahim, says the writing process for his latest book was both impulsive and compulsive. Read More...
February/March 2024First DraftInterviewsNigeria

The Nigeria Imaginary Cover Art Contest

The Republic·March 19, 2024
The next issue of The Republic will spotlight 'Nigeria Imaginary', Nigeria's showcase at the 2024 Venice Biennale. In partnership with the Museum of West African Art, enter our contest to design the cover and win N1million! Read More...
DispatchFebruary/March 2024
Nigerian Student

The Unseen Struggles of a Nigerian Student in the UK Gig Economy From 80-Hour Work Weeks to Fatherhood

Iulia Hau·March 17, 2024
In the aftermath of Brexit, the UK experienced a notable shift in migration patterns, attracting previously eschewed non-EU citizens, especially those from former colonies like Nigeria. But this opportunity is a double-edged sword, with immigrants having to resort to illegal employment—at great physical, psychological and legal risk—to cope with the high costs of living. Read More...
Father's DayFebruary/March 2024
Mungo Park

The Niger River and the Dearth of History Deconstructing the Myths of Mungo Park

Ezenwa E. Olumba·March 17, 2024
Challenging the narrative that Mungo Park ‘discovered’ the Niger River brings to the fore the complex legacy of European explorations in Africa. It underscores the urgent need for a shift towards comprehensive history education and cultural engineering to cultivate a well-informed society. Read More...
February/March 2024Nigeriavol8-no2
Afro-Complicity United Nations

Afro-complicity in the United Nations ‘They Are Not a Part of Us’

Ibrahim Williams·March 17, 2024
What Robert A. Wood, Ralph Bunche and Linda Thomas-Greenfield represent is known in the discourse of African ontology as Black complicity—Afro-complicity, if you please. This is a distinct kind of complicity reified when a Black person tries to dispel racist oppressive hegemonic constructs but due to his inability to be critical of the underlying subtleties of Black stereotypes, he ends up becoming the instrument for its advancement. Read More...
AfricaFebruary/March 2024
African Books

7 Books That Will Make You a Better Friend

Peace Yetunde Onafuye·March 17, 2024
In our latest book recommendation, we have compiled a list of seven books that will make you a better friend. These books explore empathy in navigating the complexities of love, loss, and grief; shared memories and experiences; and the importance of solid friendships. Read More...
February/March 2024Read Something AfricanReading
Sarah Ladipo Manyika

‘If There’s a Book You Want to Read and Cannot Find, Write It!’ Sarah Ladipo Manyika’s First Draft

Sarah Ladipo Manyika·March 16, 2024
Nigerian novelist and author of Like a Mule Bringing Ice Cream to the Sun, Sarah Ladipo Manyika, wants young authors in Africa and the African Diaspora to take inspiration from a wide array of art forms. Read More...
Best of 2024: First DraftFebruary/March 2024First DraftInterviewsNigeria
AfCON Congo

What Congo’s AfCON Protest Really Needed A Missed Leadership Opportunity for Peace in the DRC

Nteranya Ginga and Tshimundu·March 11, 2024
The African Cup of Nations was full of emotions and surprises, especially for the Congolese team, the Leopards. A team that used their platform at the tournament to call for peace and an end to the genocide in the Democratic Republic of Congo but were failed by Congolese leaders. Read More...
Democratic Republic of the CongoFebruary/March 2024
Blood Vessel

Drilling For a Blockbuster Culture is a Bleeding Vessel in Okpaleke’s Blood Vessel

Odafin Odafe Okoh·March 11, 2024
Blood Vessel, as written by Musa Jeffery David and executively produced by Charles and Elvis Okpaleke of Playnetwork Studios, is an exercise in flagrant cultural misrepresentation. Read More...
February/March 2024Nigeria

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CURRENT ISSUE

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We’re on Instagram!

republicjournal

The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
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But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
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If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
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For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
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Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
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The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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