The growth of generative AI has led to debates about its acceptability in art and whether artists are being conservative for rejecting its use. Read More...
As Africa races to power its digital future with Chinese solar panels and AI-ready data centres, it risks becoming both the supplier of critical minerals and the dumping ground for toxic waste in a new form of green extractivism, wrapped in the language of digital and climate progress. Read More...
Pulitzer Prize finalist and author of The Dream Hotel, Laila Lalami, is fascinated by the extractive power of technology: ‘Techno-capitalism has infiltrated our lives to such an extent that our only real break from it comes when we sleep. I began to wonder what might happen if that kind of extractive power were applied to the world of dreams.’ Read More...
In a country failed by peace agreements, connection didn’t disappear—it went online. South Sudan’s digital diaspora challenges the glossy myths of Silicon Valley and insists that innovation thrives not only in wealth and infrastructure, but in resilience, memory, and connection across borders. Read More...
In Angola, the intersection of technology and governance is forging an unconventional democratic landscape—one that emerges spontaneously and outside traditional political structures. While the regime has long maintained control through conventional means, the rapid proliferation of digital platforms, social media, and encrypted communication is enabling civic engagement beyond state oversight. Read More...
From his mother’s community chemist shop in Enugu to a Toronto lab, Nigerian pharmacist Chukwunonso Nwabufo is building a device that could save lives by revealing how your genes respond to drugs, but his real revolution may be redefining what is ‘rare’ in medical research. Read More...
The parallels between colonialism and bias in modern technology offer an instructive analysis that reveals how contemporary digital infrastructures perpetuate colonial power even as they claim to connect the world and advance social justice issues. Read More...
Kemi Adetiba’s To Kill a Monkey is a compelling demonstration of cinema’s ability to dramatize the damaged condition of modernity. Through its unflinching portrayal of individual disillusionment within systemic failures, the series channels the anxieties of a postcolonial, neoliberal world where identity and agency are constantly under siege. Read More...
The emerging Chinese-funded ECOWAS headquarters in Abuja has sparked attention on the possibilities ahead for China’s bolstered relations with the subregion. What’s in it for West African states? Read More...
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