The Republic
  • About
  • Log In / Register
  • Newsletters
  • Terms of Use
  • Privacy Policy
  • Plagiarism Policy
The Republic
Menu logo
  • Home
    • Climate Change
    • Culture & Society
    • Economics
    • Gender & Feminism
    • History
    • International Affairs
    • Politics & Security
    • Science & Technology
  • Countries
    • Algeria
    • Angola
    • Botswana
    • Cameroon
    • Equatorial Guinea
    • Eritrea
    • Eswatini
    • Ethiopia
    • Ghana
    • Kenya
    • Mozambique
    • Nigeria
    • South Africa
    • Zimbabwe
  • First Draft
  • Podcasts
    • The Republic Season 1
  • Shop
    • Stockists
  • Submissions
  • Support
  • Archive
    • The Republic V3, N1
    • The Republic V3, N2
    • The Republic V3, N3
    • The Republic V4, N1
    • The Republic V4, N2
    • The Republic V4, N3
    • The Republic V4, N4
    • The Republic V5, N1
    • The Republic V5, N2
    • The Republic V5, N3
    • The Republic V5, N4
    • The Republic V6, N1
    • The Republic, V6 N2
    • The Republic, V6 N3
    • The Republic, V7 N1
    • The Republic, V7 N2
    • The Republic, V7 N3
    • The Republic, V7 N4
    • The Republic, V8 N1
    • The Republic V8, N2
  • Advertise
  • Subscribe
Somalia

Is it Ethical to Study Somalia? Reflections of Diasporic-Continental Asymmetries of Power

Nasrin Warsame·February 28, 2024
Studying and researching Africa as a member of the diaspora is fraught with its own ethical challenges. Hence, the question: Is it ethical to study Somalia? Read More...
February/March 2024Somalia
African Feminist Manifesto

‘An African Feminist Manifesto’

Wale Lawal·February 27, 2024
For whom is the transformative potential of feminism new? Our latest issue, An African Feminist Manifesto, considers the imperatives for Black African feminism(s) in our uniquely uncertain times, plus more. Read More...
February/March 2024NigeriaVol8-no1
Funke Akindele

Funke Akindele’s Path to a Billion Naira

Assumpta Audu·February 27, 2024
Being a force in an industry is a difficult position to attribute to anyone. But after producing the top three highest-grossing movies in Nollywood and being the first and only filmmaker to surpass ₦1-billion-box-office sales, Funke Akindele has cemented herself as an entertainment titan. Read More...
February/March 2024NigeriaVol8-no1
Japa

A 40-Year-Old Japa Story

Oyindamola Depo-Oyedokun·February 27, 2024
From the ‘Checking Out’ of the 80s to today’s ‘Japa’ wave, Nigeria’s enduring struggle with brain drain has lasted far too long. Despite promises of change, the nation continues to grapple with familiar challenges that drive its citizens abroad in search of more; more opportunities, more peace of mind, and the ability to be more. Read More...
February/March 2024NigeriaVol8-no1
Oluwatomisin Olayinka Oredein

‘I Want My Writing to Sound on Paper How It Sounds in My Head and Heart’ Oluwatomisin Olayinka Oredein’s First Draft

Oluwatomisin Oredein·February 27, 2024
Academic and author, Oluwatomisin Olayinka Oredein, tends to pay less attention to books that fail to enhance her work. Read More...
February/March 2024First DraftInterviewsVol8-no1
Skin-Bleaching

The Menace of Skin-Bleaching in Nigeria

Foyin Ejilola·February 27, 2024
Cosmetic endeavours aimed at achieving lighter skin have led to the development of different skin-bleaching beauty methods that leave the body open to grave health repercussions. Read More...
February/March 2024NigeriaVol8-no1
Abrahamic Tradition

A Womanist Reading of African Women in Abrahamic Tradition

Kai Mora·February 27, 2024
Though the presence of Abrahamic tradition within global Black consciousness often finds expression through male-dominated narratives, a closer examination uncovers Black women at the very centres of the most path-altering moments in the tradition, offering analogues with which Black women have interpreted, reimagined and reclaimed their past, present, and future. Read More...
Best of 2024: EssaysFebruary/March 2024Vol8-no1
Frida Orupabo

The Disruptive Potential of Frida Orupabo’s Metamorphic Women

Kéchi Nne Nomu·February 27, 2024
To encounter a body in collage is to momentarily believe the human form is physically and even gesturally incapable of coming up against its own limitations. Frida Orupabo’s collages do this so well. They haunt the viewer with fond, familiar and unexpected shapes. Read More...
Best of 2024: EssaysFebruary/March 2024NigeriaVol8-no1
Second Class Citizen

50 Years of Buchi Emecheta’s Second-Class Citizen

Peace Yetunde Onafuye·February 27, 2024
In 1974, Buchi Emecheta’s novel, Second-Class Citizen, was published. While this novel has inspired a generation of African writers, the themes Emecheta explored—such as Black immigrant life in the UK and the ills of a patriarchal society—remain as relevant today as ever. Read More...
February/March 2024NigeriaReadingVol8-no1
African Climate

Imperialism is the Arsonist of Our Forests

Aby L. Sène·February 27, 2024
In 1986, Thomas Sankara delivered his famous speech, Imperialism is The Arsonist of Our Forests and Savannas, in which he denounced imperialism as the main driver of environmental destruction. Today, the climate crisis has become a pretext for imperialist economic expansion, leading to an urgent need to reorient the African climate justice agenda. Read More...
February/March 2024Vol8-no1

SHOP THE REPUBLIC

Current-Issue
₦15,000 / $24.99 / £24.99
  • Buchi Emecheta Pin Badge
    Buchi Emecheta Pin Badge
    ₦2,500.00
  • The Republic Sticker & Badge Mix
    The Republic Sticker & Badge Mix
    ₦10,000.00
  • The Republic Badge Set
    The Republic Badge Set
    ₦10,000.00
  • Ama Ata Aidoo Pin Badge
    Ama Ata Aidoo Pin Badge
    ₦2,500.00

CURRENT ISSUE

Current-Issue

Topics

Climate Change Culture & Society Economics Gender & Feminism History International Affairs Politics & Security Science & Technology

We’re on Instagram!

republicjournal

The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
⁠
On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
⁠
⁠
⁠Who stole our past, and why did we let them?⁠
⁠
Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
⁠
In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
⁠
It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
⁠
Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
⁠
📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
⁠
On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
⁠
Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
⁠
⁠
Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
⁠
Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
⁠
Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
⁠
With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
⁠
Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
⁠
📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
 logo
  • Masthead
  • Submissions
  • Press Forward
  • Contact Us
  • Terms of Use
  • Privacy Policy
  • Plagiarism Policy
ALL RIGHTS RESERVED © THE REPUBLIC INC, 2016-2025
The Republic
  • Log In
  • Subscribe
  • Home
    • Climate Change
    • Culture & Society
    • Economics
    • Gender & Feminism
    • History
    • International Affairs
    • Politics & Security
    • Science & Technology
  • Advertise
  • Countries
    • Algeria
    • Angola
    • Botswana
    • Cameroon
    • Eritrea
    • Equatorial Guinea
    • Eswatini
    • Ethiopia
    • Ghana
    • Kenya
    • Libya
    • Mali
    • Morocco
    • Nigeria
    • South Africa
    • Tanzania
    • United Kingdom
    • United States
    • Zambia
    • Zimbabwe
  • First Draft
  • The Black Atlantic
  • Newsletters
  • Podcasts
  • Shop
    • Shop
    • Stockists
  • Submissions
  • Support The Republic
  • Archive
    • The Republic V3, N1
    • The Republic V3, N2
    • The Republic V3, N3
    • The Republic V4, N1
    • The Republic V4, N2
    • The Republic V4, N3
    • The Republic V4, N4
    • The Republic V5, N1
    • The Republic V5, N2
    • The Republic V5, N3
    • The Republic V5, N4
    • The Republic V6, N1
    • The Republic V6, N2
    • The Republic V6, N3
    • The Republic V7, N1
    • The Republic V7, N2
    • The Republic V7, N3
    • The Republic V7, N4
    • The Republic V8, N1
    • The Republic V8, N2
Type to search or hit ESC to close
See all results

Lost your password?
Forgotten Password
Cancel
This site uses cookies to improve your experience. Click here to learn more. CONTINUE
Show More

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT