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Feminist

An African Feminist Manifesto

Ololade Faniyi·February 27, 2024
Decolonial African feminist thought is equal parts rage and radical care. It is a collaborative and unbiased call to action that insists on justice, self-determination, and autonomy, building on the legacies of foremothers to create our lifelines for our future and the ones that come after us. Read More...
Best of 2024: EssaysFebruary/March 2024Vol8-no1
White Nanny Black Child

Shadows of a Forgotten Past: Unveiling the Truth of White Nanny, Black Child

Jamila Pereira·February 27, 2024
In the 1950s, white British families adopted numerous African children in a practice commonly known as ‘farming’. With outstanding depth, a documentary on farming by Andy Mundy-Castle explores how for some of those children, what appeared to be a well-meaning initiative resulted in significant harm and life-long scars. Read More...
Best of 2024: EssaysFebruary/March 2024Vol8-no1
King Charles

King Charles’ Non-Apology to Kenyans

Mumbi Kanyogo·February 27, 2024
Amidst global demands for reparations, King Charles offers Kenyans a (non)apology. But what substance can an apology from Britain hold, when its imperial and colonial crimes continue to shape and undo life in Kenya? Read More...
February/March 2024KenyaVol8-no1
West Africa

Geopolitical Projections in West Africa and the Wider Continent

Otobong Inieke·February 27, 2024
A new element in geopolitics across Africa is the growth of political consciousness and the willingness to organize against unfavourable status quos. Recent events in Mali, Niger and Burkina Faso are representative of this new phase of relations between nations, governments and myriad interest groups. Read More...
February/March 2024Vol8-no1
Books

7 Books to Help You Love Reading Again

Peace Yetunde Onafuye·February 25, 2024
Whether you’re a bookworm looking to reignite your love for reading in 2024 or you simply cannot keep up with your reading goals, these books can be of great help. Read More...
February/March 2024Read Something AfricanReading
Nigerian Film

Is Vertical Integration Killing the Nigerian Film Industry? Mami Wata and the Failing Structure of Nigerian Showbiz

Assumpta Audu·February 22, 2024
With Nollywod’s increasing global appeal, it is necessary to implement the appropriate structures that allow films and television products reach their greatest potential given artistic input and the punishment of antitrust operations. Read More...
February/March 2024Nigeria
Departures

Departures Reflections on the Burden of Parting

Chukwuemeka Famous·February 20, 2024
For days, I struggled to grasp this somewhat unsettling realization that a member of my family would leave not just Nigeria, but Africa, miles away from home and family. Read More...
February/March 2024NigeriaThe Black Atlantic
African Philosophy

What is African Philosophy? Let’s Talk About an Unpopular, Most Times Misunderstood Idea

Darius Dauda Angwa·February 18, 2024
Is it History? Literature? Both and some more? Academics cannot seem to decide.  Read More...
AfricaFebruary/March 2024
Black History Month

7 Books to Read During Black History Month and Beyond

Peace Yetunde Onafuye·February 18, 2024
In recognition of the importance of continued enlightenment and reflection, we have curated a list of books to read during Black History Month and beyond. Read More...
February/March 2024Read Something AfricanReading

Shallipopi’s Incandescent Takeover of Afrobeats The Colourful, Incendiary Message of Shallipopi

Emmanuel Esomnofu·February 14, 2024
The dynamic Benin-born artist was the great revelation of Nigerian music in 2023. His slang-heavy songs are indicative of young people’s cultural significance but he’s so much more. Read More...
February/March 2024Nigeria

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CURRENT ISSUE

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We’re on Instagram!

republicjournal

The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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