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Gangs of Lagos

Bloodshed and Ballot Boxes ‘Gangs of Lagos’ (2023) Review

Afoma Dike·April 6, 2023
Beyond the surface themes of friendship, family ties and betrayal, Gangs of Lagos takes a closer look at thuggery and politically affiliated gang culture in Nigeria, exploring the country’s historically overlooked backstories. Read More...
April/May 2023Nigeria
Kwame Brathwaite

‘Black is Beautiful’ Kwame Brathwaite (1938-2023)

Peace Yetunde Onafuye·April 5, 2023
Kwame Brathwaite, the American photographer whose works visually powered the ‘Black Is Beautiful’ movement of the 60s, has died aged 85. Throughout his career, Brathwaite captured Black icons including Muhammad Ali, Aretha Franklin, The Jackson Five, and Nina Simone. Ultimately, his works sought to uplift the essence of being Black. Read More...
April/May 2023News

West Africa’s Slow-Onset Crisis The Evolving Nature of Violence in West Africa

Abel B. S. Gaiya·April 4, 2023
West Africa has experienced evolving violence since independence, first by recording the highest share of military coup frequency in Africa between 1960 and 1989, then in the Mano River regional crisis of 1989-2003, and finally terrorism in the Lake Chad region and the Liptako-Gourma region from 2010 till date. Read More...
April/May 2023Nigeria

A New Image of Africa’s Future How African Futurism Can Help African Policymakers Solve Africa’s Toughest Challenges

Charles Ebikeme·April 3, 2023
Across Africa and its diaspora, there is a rich database of culture already at play, by novelists, poets, musicians, filmmakers, with diversely imagined futures. These imaginings are now no longer restricted to the cultural space but are finding their way into the world of science, research and policymaking.  Read More...
April/May 2023Nigeriavol7-no2

Golden Lion Demas Nwoko Will Receive the Lifetime Achievement Award at the 2023 Venice Architecture Biennale

Hillary Essien·April 2, 2023
Demas Nwoko’s work has been described as ’sustainable, resource-mindful, and (as) culturally authentic forms of expression now sweeping across the African continent’. Read More...
April/May 2023NewsNigeria
Abel Gaiya

‘I Am Currently Writing Two Books’ Abel Gaiya’s First Draft

Abel B. S. Gaiya·March 31, 2023
Nigerian author and development researcher, Abel Gaiya, believes West Africa is going in circles. Read More...
February/March 2023First DraftInterviewsNigeria

2023 Election Updates Daily Briefings from The Republic

The Republic·March 31, 2023
Updates on the 2023 general elections, covering news on candidates, voting and other related issues. Read more Read More...
February/March 2023NigeriaNigeria Decides 2023: Updates
Lemohang Mosese

This is Not a Burial, It’s a Resurrection Lemohang Jeremiah Mosese’s Afro-existentialist Experiment

Tony Malik·March 30, 2023
This Is Not a Burial, It’s a Resurrection is the perfect afro-existentialist film, not because of the existential interstice implied in its title, but because of how it paints mystical and metaphysical pictures about the different types of death. Read More...
AfricaFebruary/March 2023

Computational Conscience Problematizing Freedoms in Artificial Intelligence

Aarshin Karande·March 30, 2023
Interests in controlling the hopes and fears about intelligent machines have shaped imagined possibilities and vice versa. Mutually co-constitutive hopes and fears have defined the imagining of AI; hopes for a longer life, free of work, and power over others is inseparable from fears like losing identity, becoming redundant, and that AI will turn against ‘us.’  These hopes reflect deep-rooted narratives of human aspirations meeting technological possibilities. Read More...
February/March 2023Nigeria

Follow the Money Join The Republic as an Accountant

The Republic·March 30, 2023
Deadline 30 April 2023: We're hiring an Accountant to be responsible for all areas of financial reporting, including analyzing, verifying, and reporting financial information for The Republic. Read More...
DispatchPress Forward!

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
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But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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