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New notes

Cash at Hand, Cash at Bank? The Puzzling Logic Behind Nigeria’s New Notes

Hillary Essien·December 1, 2022
Nigeria has redesigned its currency notes but the big question is how the government will recall the old notes, as cash is still king despite efforts by the Central Bank of Nigeria and fintech companies. Read More...
December 2022NewsNigeria

An Illuminating Vision of Black Wealth Review: ‘Riches’ (2022)

Afoma Dike·November 30, 2022
The 2022 series, Riches, casts a new light on the varied, complicated and even expected roles that typically surround the kind of generational wealth that many in the Black and African community often aspire to. Read More...
NewsOctober/November 2022
Cyber threats

Cyber Ready Africa’s Response to Growing Cyber Threats

Osaye Ajari·November 29, 2022
Despite steep losses suffered across Africa to cyber threats, spending towards the prevention of future cyber-attacks on the continent has not risen to meet the need for greater protection. Read More...
AfricaBest of 2022October/November 2022

Expensive Money Is Money-Spraying the Problem?

Ayoola Oladipupo·November 27, 2022
Money-spraying is not the problem and should be seen not as the lack of national pride but as a display of cultural pride: a cherished tradition that shows deep respect and appreciation for the power of music and dance. Read More...
Best of 2022NigeriaOctober/November 2022vol6-no3
Desola Olaleye

‘Writing Is a Grind; It Won’t Always Be Exciting or Magical’ Desola Olaleye's First Draft

Desola Olaleye·November 25, 2022
Nigerian writer, Desola Olaleye, wants people to understand that fighting for the restitution of African cultural artefacts is not a misplaced priority. Read More...
First DraftInternational Women's Day - First DraftInterviewsNigeriaOctober/November 2022vol6-no3
Restitution

Shielding the Spirit of a Continent An Existential Argument for the Restitution of African Cultural Heritage

Desola Olaleye·November 24, 2022
The struggle for the restitution of Africa’s artefacts from Western museums reflects the necessary undoing of imperial domination. It is not merely political but also existential—it is a fight for the spirit of Africa. Read More...
AfricaBest of 2022October/November 2022vol6-no3
Abacha

Recurring Repatriations What Has Been Done With Abacha’s Recovered Loot?

Afoma Dike·November 22, 2022
According to the statement issued by the US Department of Justice, this latest tranche of repatriated funds brings the total amount of repatriated funds in this case to approximately $332.4 million. But what has been done with the millions that have already been repatriated to the Nigerian government by the US? Read More...
NewsNigeriaOctober/November 2022
Violent Extremism

Blurring Boundaries, Embracing Chaos Reimagining Health to Counter Violent Extremism

Natasha Chilambo·November 22, 2022
Attempts at analysis and resolution of the Boko Haram insurgency are often rooted in peace and security discourse. But what if we centred mental health discourse in dealing with violent extremism? One organization has been asking and answering this question. Read More...
NigeriaOctober/November 2022
Helon Habila

‘Like Most People I Am Simply Exhausted by Politics’ Helon Habila’s First Draft

Helon Habila·November 18, 2022
Nigerian novelist, Helon Habila, whose debut novel, Waiting for an Angel, was published 20 years ago says his writing is shifting from the political towards domestic life: ‘my attention is shifting more towards domestic issues: family, race, and so on... I am more concerned with the meaning of what it means to be a Black person in this world—a Black father, a Black son, a Black daughter, wife.’ Read More...
Best of 2022: First DraftFirst DraftInterviewsNigeriaOctober/November 2022
COP27

Has Anything Changed? The Gender Politics and Policies of COP26 and COP27

Hillary Essien·November 17, 2022
Though both COP26 and COP27 have seen various initiatives—from travel funds to mentorship networks to enhance women’s participation in climate action—overall progress remains inconsistent and slow as richer countries tend to fall short of their financial promises. Read More...
AfricaOctober/November 2022vol6-no3

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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