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COP27

COP27: Vanessa Nakate Wants African Solutions for African Problems An Interview with Climate Activist, Vanessa Nakate

Elizabeth Abati·November 1, 2022
The solutions to African climate problems must be tailored to our unique circumstances, Vanessa Nakate argues ahead of COP27. She says, ‘We must make sure the solutions that are being funded are the ones that work for African people.’ Read More...
InterviewsOctober/November 2022Special Focus: COP27Ugandavol6-no3
A New Chapter For African Artefacts?

V6, N3 A New Chapter for African Artefacts?

The Republic·November 1, 2022
A New Chapter for African Artefacts? - Look Inside Read More...
Dispatch
Books

Mind Makers Four Authors on the Books that Changed Their Minds

Peace Yetunde Onafuye·October 31, 2022
What does it mean when a book changes your mind? Read More...
NigeriaOctober/November 2022Reading
Nengi Omuku

‘People Seem to be Trying to Reconnect with Nature’ In Conversation with Nengi Omuku

Alayo Akinkugbe·October 31, 2022
‘I thought about how we’ve all gone through this traumatic event, the pandemic, and faced endless loss and illness,’ Nengi Omuku says. ‘I realized, via scrolling on social media and watching the news, that people seem to be trying to reconnect with nature and choosing to acknowledge all that it has given us.’ Read More...
Best of 2022International Women's Day - CultureInterviewsNigeriaOctober/November 2022vol6-no3
Leiyo Singo

‘Self-Decolonization Must Be Ongoing or Else You Get Lost’ Leiyo Singo’s First Draft

Leiyo Singo·October 28, 2022
Tanzanian writer, Leiyo Singo, believes Maasaiphobia in Tanzania has some roots in the country’s educational system. Read our interview. Read More...
First DraftInterviewsOctober/November 2022Tanzania
COP

COP Returns to Africa Have the Wrong Chickens Come Home to Roost?

Afoma Dike·October 27, 2022
Regardless of Egypt’s motivations or whether or not COP 27 is ‘African’, the vast majority of the consequences wrought by the climate crisis, are. Africa, therefore, needs to confront the crisis head-on. Read More...
AfricaOctober/November 2022vol6-no3
COP27

COP27: Abigael Kima’s Cautious Optimism An Interview with Climate Activist, Abigael Kima

Elizabeth Abati·October 26, 2022
Africa is an important voice in the climate debate, Abigael Kima argues ahead of COP27. ‘Because although we are only responsible for 0.5 per cent of historical emissions and less than 4 per cent of the global emissions at the moment, we are the most negatively impacted.’ Read More...
InterviewsKenyaOctober/November 2022Special Focus: COP27

Collaborative and Experimental The Evolution of Afrobeats and Its Current Landscape

Zainab Kuku·October 25, 2022
Afrobeats has evolved commercially, sonically and collaboratively over the years. We need to strike a balance between commending Afrobeats for its global success and protecting the genre, so its authenticity is not diluted for global markets. Read More...
Best of 2022NigeriaOctober/November 2022vol8-no2
African Authors

New Discoveries The Authors We Wish We Discovered Earlier

Peace Yetunde Onafuye·October 25, 2022
There may be numerous African authors we wish we discovered earlier but is there a right time to discover a great author or a good book? Read More...
NigeriaOctober/November 2022Readingvol6-no3
Nigeria’s Democratic Structures

‘For the People, by the People’ Rebuilding Trust in Nigeria’s Democratic Structures

Dafe oputu·October 23, 2022
For decades, Nigerian citizens have been denied the opportunity to contribute to shaping the laws and policies they are governed by. The notion that political engagement is the preserve of the elite has eroded public trust in democratic structures. In order for this trust to be restored, this author argues, the innate power of civic society to shape the political destiny of the nation needs to be re-emphasized. Read More...
NigeriaOctober/November 2022

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Climate Change Culture & Society Economics Gender & Feminism History International Affairs Politics & Security Science & Technology

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
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Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
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📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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