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Reframing Population Other Perspectives on Africa’s Population Growth

Yarri Kamara·August 17, 2022
Discussion on Africa’s demography and population growth has often been handicapped by narrow and fragmented framing. But what if we reframed these discussions? Read more Read More...
August/September 2022Best of 2022

Does ‘Creative Crowdsourcing’ Exploit Creatives? NDLEA Faces Backlash Over Logo Design Contest

Todah Opeyemi·August 16, 2022
Critics have called a design contest launched by NDLEA ‘exploitative’. The contest, where young artists compete by submitting free NDLEA logo suggestions, has received over 100 submissions, but a spokesperson for the organization has announced that it will not be revising its approach. Read more. Read More...
August/September 2022NewsNigeria
Salaudeen

‘There’s a Story in Everything’ Aisha Salaudeen’s First Draft

Aisha Salaudeen·August 12, 2022
Multimedia journalist and creator of the I Like Girls podcast, Aisha Salaudeen, believes you can find a story in anything. Read our interview. Read More...
August/September 2022First DraftInternational Women's Day - First DraftInterviewsNigeria

‘Africa Deserves a Formal Apology’ Nana Akufo-Addo Is Calling for Colonial Reparations

Wemi Moyela·August 11, 2022
Ghana’s president has recently gone viral over a ‘reparations’ speech he gave on 02 August 2022 in Accra, Ghana. Read more. Read More...
August/September 2022GhanaNews

‘A Storyteller to His Bones’ Nigerian Filmmaker and Writer, Biyi Bandele, Has Died

Tomisin Awosika·August 10, 2022
On Sunday, 07 August 2022, Nigerian author and filmmaker, Biyi Bandele, died in Lagos at the age of 54. Read more. Read More...
August/September 2022NewsNigeria

New Voices The Republic’s National Student Essay Writing Competition

The Republic·August 9, 2022
In partnership with the UNDP, The Republic is holding a national essay competition open to students in Nigeria between the ages of 16 and 25. Read More Read More...
August/September 2022DispatchNew Voices

From Soft Life to Soft Power Reconsidering Nigeria’s Regional and Global Influence

Chukwudi Ukonne·August 8, 2022
Nigeria is currently experiencing a creative and cultural renaissance. According to a UNDP Imagine Nigeria report, Nigeria needs a new economic roadmap. One in which the creative economy is center stage. Read more Read More...
August/September 2022Editors Picks: Independence DayNigeria
ebikeme

‘We Are Incredibly Bad, As a Species, at Valuing Things’ Charles Ebikeme’s First Draft

Charles Ebikeme·August 5, 2022
Sub-editor at The Republic, Charles Ebikeme, believes humanity has not arrived at a proper way of valuing good health. Read our interview. Read More...
August/September 2022First DraftInterviewsNigeria

The UK’s Largest Benin Bronzes Repatriation Oxford and Cambridge Will Return 213 Stolen Benin Bronzes to Nigeria

Tomisin Awosika·August 4, 2022
On 29 July 2022, Oxford and Cambridge University announced that they would return 213 stolen Benin Bronzes to Nigeria. Read more. Read More...
August/September 2022NewsNigeria

When Maasaiphobia Became Policy An Insider’s Perspective on Environmental Racism and the Maasai Predicament in Ngorongoro

Leiyo Singo·August 3, 2022
The Maasai have become strangers, victims, and miserable paupers on the lands that are rightly theirs. Read more Read More...
August/September 2022Best of 2022Tanzania

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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