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healthcare

Where Are the Medics? The Scramble for Africa’s Healthcare Workers

Charles Ebikeme·July 20, 2022
Healthcare workers are the new oil and the cold war for the next precious resource has already begun. Read more. Read More...
Best of 2022June/July 2022Nigeria

The Inflation Report Why Are Food Prices Increasing in Nigeria?

Tomisin Awosika·July 19, 2022
Fueled by a high cost of diesel and rising prices of food, Nigeria’s inflation rose to its highest level in over five years. Read more. Read More...
June/July 2022NewsNigeria

Embracing the Multitude Names and a Philosophy of the Fluid Self

Ìjàpá O·July 18, 2022
Most cultures treat names as an important aspect of identity, which would be a good thing except that it invariably fails to centre the individual in the process. Read more. Read More...
June/July 2022Nigeria
okparanta

‘The Book Controls You’ Chinelo Okparanta’s First Draft

Chinelo Okparanta·July 15, 2022
Novelist, Chinelo Okparanta’s debut novel was gentle. Her next one will be unflinching. Read our interview. Read More...
First DraftInterviewsJune/July 2022Nigeria

A Less Glamorous Remake Review: ‘Glamour Girls’ (2022)

Tomisin Awosika·July 14, 2022
Although the Glamour Girls remake may seem to appeal to a newer audience, in establishing its glamour, much of the story is lost. Read more. Read More...
Best of 2022June/July 2022Nigeriavol6-no2

We Cannot Eat Our Cake and Have It The Unnecessary Expanse of Nigeria’s Wheat Economy

Ayoola Oladipupo·July 13, 2022
It is essential to understand the history of wheat consumption in Nigeria in order better to understand the rising demand for wheat flour in Nigeria. Read more Read More...
June/July 2022Nigeriavol6-no2
hoffmann

‘I Weigh the Value of Voicing My Disagreement’ Leena Koni Hoffmann’s First Draft

Leena Koni Hoffmann·July 8, 2022
Sociologist and researcher, Leena Koni Hoffmann, thinks informal rules and institutions are the ‘glue that hold society together’. Read our interview. Read More...
First DraftInternational Women's Day - First DraftInterviewsJune/July 2022

In the Mould of Aminu Kano Rabiu Kwankwaso and the Kwankwassiya Movement in Kano

Afolabi Adekaiyaoja·July 7, 2022
Nigeria's 2023 elections might provide the strongest opportunity for former minister, senator, and governor, Rabiu Kwankwaso, to assert his claim as the rightful heir to Kano’s most illustrious son. Read more Read More...
Best of 2022June/July 2022NigeriaNigeria Decides 2023: Candidates

The Bellwether State What Ekiti State Can Tell Us About the 2023 Election

Adekunle Adewumi·July 6, 2022
The manner in which Ekiti’s June 2022 governorship election unfolded could foreshadow Nigeria's 2023 presidential election. Read more Read More...
Best of 2022June/July 2022Nigeria

‘A Symbol of Hope’ 120 Years After It Was Stolen, Germany Is Returning Ngonnso’ to Cameroon

Tomisin Awosika·July 5, 2022
The Ngonnso’ statue is a female goddess statue that was stolen from the ancient Nso’ Kingdom in northwestern Cameroon. Read more. Read More...
Best of 2022CameroonJune/July 2022News

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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