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A Great Rumble? Reimagining African Willpower in the Russia-Ukraine Crisis

Gbọ́láhàn Adébíyì·May 9, 2022
The Ukraine crisis has ultimately presented African countries with a critical question: are there both morally and economically beneficial alternatives to aligning with Russia in Africa’s quest to grow beyond with the West? Read more. Read More...
April/May 2022Russia
odafen

‘What is the Story Here?’ Aiwanose Odafen’s First Draft

Aiwanose Odafen·May 6, 2022
Author of ‘Tomorrow I Become A Woman’, Aiwanose Odafen, left an accounting background to fully pursue writing. Read our interview. Read More...
April/May 2022First DraftInterviewsNigeria

The Reality of Press Freedom in Nigeria What Are Journalists Saying?

Todah Opeyemi·May 5, 2022
While media crackdowns have become more visible in recent years, Nigeria’s history speaks to the issue’s persistence. Read more Read More...
April/May 2022Best of 2022NewsNigeria

A Heartbeat or An Election Away What Will 2023 Mean for Yemi Osinbajo?

Afolabi Adekaiyaoja·May 4, 2022
Yemi Osinbajo’s candidacy, legacy and potential presidency will be shaped by how he reconciles the promise of his future with the broken ones of the past eight years. Read more. Read More...
April/May 2022
Rotinwa

‘Sometimes What People Want Is Information, Not News’ Ayodeji Rotinwa’s First Draft

Ayodeji Rotinwa·April 29, 2022
Journalist and editor at African Arguments, Ayodeji Rotinwa, thinks more Africans should be interested getting Africa’s stolen artefacts back from the West. Read our interview. Read More...
April/May 2022Best of 2022: First DraftFirst DraftInterviewsNigeria

African Queens A Brief Guide to Ancient Africa’s Female Rulers

The Republic·April 28, 2022
Despite their wide-ranging impact, many ancient African queens have yet to receive mainstream attention. Read more. Read More...
April/May 2022GenderInternational Women's Day - HistoryNigeria

Africa’s Energy Deficit A Crack in Africa’s Geopolitical Foundation

Otobong Inieke·April 26, 2022
Over 600 million people across Africa do not have access to electricity; this energy deficit contributes to debilitating economic realities—lowered productivity and higher costs of living. Read more. Read More...
April/May 2022Best of 2022
alaafin

The Alaafin of Oyo, Oba Lamidi Adeyemi III, Has ‘Joined His Ancestors’ Aged 83

Tomisin Awosika·April 25, 2022
On 22 April, the Alaafin of Oyo, Oba Lamidi Adeyemi III, died at the Afe Babalola University, Teaching Hospital in Ado-Ekiti, Ekiti State. Read more. Read More...
April/May 2022NewsNigeria
simura

‘Politics Is Not Moral Charity’ Blessing Simura’s First Draft

Blessing Simura·April 22, 2022
Since the Ukraine crisis, writer and author of ‘The Age of Great Power Rivalry’, Blessing Simura, has been thinking a lot about Western diplomacy. Read our interview. Read More...
April/May 2022First DraftInterviewsZimbabwe
APC

APC Will Charge Presidential Candidates 100 Million To Run for Office

Tomisin Awosika·April 21, 2022
APC will charge at fee of N100 million for the presidential nomination form: N30 million for expression of interest and N70 million for nomination. Read more. Read More...
April/May 2022NewsNigeria

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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