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Scotland Has Agreed to Return 17 Benin Bronzes to Nigeria

Tomisin Awosika·April 19, 2022
Politicians in Scotland have voted to return 17 Benin Bronzes to Nigeria. So far, four Benin Bronzes have been returned to Nigeria by Western institutions. Read more. Read More...
April/May 2022NewsNigeria

The UK Wants to Send Asylum Seekers to Rwanda for ‘Processing’

Tomisin Awosika·April 14, 2022
UK prime minister, Boris Johnson, has announced that men seeking asylum in Britain will be sent to Rwanda for processing and a possible integration into Rwandan society. Read more. Read More...
April/May 2022NewsNigeria
Okoye

Home, Or Not? Love, Like Jollof Rice, Is Better Homemade

Precious Okoye·April 13, 2022
I was in love with a man who felt like home. But what do you do when home no longer feels like it? Where do you run to? Where do you go? Read more. Read More...
April/May 2022NigeriaThe Black Atlantic

Nationalist: Funmilayo Ransome-Kuti The Radically Progressive Twentieth-Century Leader

Farida Funmi Akanji·April 13, 2022
Often understated today as the first woman to drive a car in Nigeria, Funmilayo Ransome-Kuti's achievements were exceptional, multi-faceted and far-reaching. Read more. Read More...
April/May 2022Editors Picks: Independence DayGenderInternational Women's Day - IconsNigeria

‘We Move’ The Subversive Economy of the Lagos Danfo

Daniel Agbiboa·April 12, 2022
We’re always looking at African cities through the eyes of the West. But what if we looked at African cities through their own eyes? Through, for instance, the eyes of the danfo? Read more. Read More...
April/May 2022Best of 2022Nigeria
APC

APC and the Dilemmas of a Ruling Party Editor’s Foreword: The Republic V6, N1

Wale Lawal·April 11, 2022
Our first issue of 2022, APC and the Dilemmas of a Ruling Party, explores the rise of Nigeria’s ruling party and Nigeria’s changing political landscape. Read more. Read More...
April/May 2022Nigeriavol6-no1
Mora

‘I’m a Pan-Africanist in the Most Literal Sense’ Kai Mora’s First Draft

Kai Mora·April 8, 2022
To historian and author, Kai Mora, Sankara ‘embodies the spirit of resistance, prudence, and forward-thinking that the global Black world needs.’ Read our interview. Read More...
April/May 2022BelizeFirst DraftInternational Women's Day - First DraftInterviews
Sankara

Thomas Sankara’s Murderers Have Been Sentenced to Prison

Tomisin Awosika·April 7, 2022
A Burkinabé court has sentenced former president of Burkina Faso, Blaise Compaoré, to life imprisonment for the murder of Thomas Sankara. Read more. Read More...
April/May 2022NewsNigeria

Health Versus Capitalism Is Capitalism Making Us Sicker?

Charles Ebikeme·April 6, 2022
There is a growing conflict between the incentives of capitalism and establishing a world in which we all have the right to health. Read more. Read More...
April/May 2022Best of 2022

163 People Are Still Missing From the Abuja-Kaduna Train Attack

Tomisin Awosika·April 5, 2022
On 04 April 2022, the Nigerian Railway Corporation (NRC) said that the whereabouts of 163 passengers on the Abuja-Kaduna train are still unknown. Read more. Read More...
April/May 2022NewsNigeria

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CURRENT ISSUE

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
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The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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