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Olisakwe

‘Everything is Storytelling’ Ukamaka Olisakwe’s First Draft

Ukamaka Olisakwe·April 1, 2022
Security scholar, and author of ‘The Loneliest War: Nigeria’s Strategy Against Boko Haram’, and ‘Beyond the War’, Dr Jumo Ayandele, thinks decolonization is fast becoming an overused term in the international relations field. Read our interview. Read More...
April/May 2022First DraftInternational Women's Day - First DraftInterviewsNigeria
home

Being My Own Anchor How Loss Renewed My Relationship With Home

Omayeli Arenyeka·March 30, 2022
After my dad’s death, home had seemed like a place I would drift further away from. But the loss renewed my relationship with home. Read more Read More...
February/March 2022NigeriaThe Black Atlantic
buhari

The President Who Belonged to Himself Assessing Muhammadu Buhari’s Presidential Legacy

Fisayo Ajala·March 28, 2022
President Buhari will be remembered as the president who belonged to nobody but himself; one who converted Aso Rock, a seat for agile, fit-as-fiddle occupiers, to a retirement home for senior citizens. Read more. Read More...
February/March 2022Nigeriavol6-no1

A Dutch Court Has Acquitted Shell in the Ogoni Nine Trial

Tomisin Awosika·March 24, 2022
On Saturday, 12 March 2022, 301 Nigerian citizens trapped in Sumy, Ukraine returned from Budapest, Hungary. Read more. Read More...
February/March 2022NewsNigeria

Nigeria’s Evolving Political Party Landscape Emergent and Key Players, Alliances, Challenges, Cultures and Opportunities

Ayisha Osori·March 21, 2022
Political parties will determine the results of the next general elections. What is uncertain is the impact of the contestations on the quality of life of Nigerians and the maturation of our democracy. Read more. Read More...
February/March 2022Nigeriavol6-no1
abayomi

Who Was Lady Oyinkansola Abayomi?

Ibukunoluwa Olokode·March 18, 2022
Lady Oyinkansola Abayomi co-founded the Nigerian Women’s Party and helped establish Queen’s College, Yaba, in 1927. Read more. Read More...
February/March 2022Nigeria
akahara

‘Good Writers Are Good Readers’ Ndidi Akahara’s First Draft

Ndidi Akahara·March 18, 2022
Analyst and author of ‘Ken Saro-Wiwa’s “Sozaboy”: What War Literature Teaches Us About the Political Economy of Violence’, Ndidi Akahara, is always excited to talk about history and literature. Read our interview. Read More...
Best of 2022: First DraftFebruary/March 2022First DraftInternational Women's Day - First DraftInterviewsNigeriavol6-no1
russia

The Age of Great Power Rivalry Russia’s Geopolitical Vision and the Weaknesses of International Diplomacy

Blessing Simura·March 17, 2022
Russia’s invasion of Ukraine has exposed the shortcomings of Western-led and United Nations-mediated global diplomacy. Read more. Read More...
February/March 2022

Francis Kéré Has Become the First African To Win the Pritzker Architecture Prize

Tomisin Awosika·March 16, 2022
On 15 March 2022, Burkina Faso’s Diébédo Francis Kéré made history by becoming the first Black man and African to win the Pritzker Architecture Prize since its inception in 1979. Read more. Read More...
Burkina FasoFebruary/March 2022News

Dele Giwa The Journalist that Death Could Not Silence

Farida Funmi Akanji·March 16, 2022
Dele Giwa was born in Ife, southwest Nigeria, on 16 March 1947. He spent his early years in Ife and, in 1971, he relocated to the United States. Read more. Read More...
February/March 2022Nigeria

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We’re looking for the most interesting brands! ⁠ ⁠ For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠ ⁠ But we’re not doing it the usual way.⁠ ⁠ We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠ ⁠ As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠ ⁠ If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠ ⁠ For more details and to apply, visit the link in our bio or IG story. ⁠ ⁠ Deadline: 12 July 2025.⁠ ⁠ We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠ ⁠ On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠ ⁠ Read more about Burkinabé politics by clicking the image in the link in bio⁠ ____________⁠ 📝: Ibukun Olokode x Ugonna Eronini⁠ 📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠ 2)Joseph Ki-Zerbo / Wiki.⁠ 3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory #OnSite⚡⁠ ⁠ ⁠ ⁠Who stole our past, and why did we let them?⁠ ⁠ Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠ ⁠ In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠ ⁠ It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ ___________⁠ ⁠ 📝: Odafin Odafe Okoh⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠ 🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠ ⁠ On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠ ⁠ Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠ ____________⁠ 📝: Ibukun Olokode and Ugonna Eronini⁠ 📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠ 2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠ ⁠ The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠ ⁠ The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠ _____⁠ ⁠ 📝: Ijapa O (@ijapa_o)⁠ 🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World? #OnSite⚡⁠ ⁠ ⁠ Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠ ⁠ Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠ ⁠ Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠ ⁠ With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠ ⁠ Read the full essay by clicking this image in the link in bio or our IG story.⁠ ⁠ 📌 Check the pinned comment for our question of the day. ___________⁠ ⁠ ⁠ 📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠ 📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠ 🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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