
Illustration by Shalom Shoyemi / THE REPUBLIC.
THE MINISTRY OF ARTS / FICTION DEPT.
The Absence of Stains

Illustration by Shalom Shoyemi / THE REPUBLIC.
THE MINISTRY OF ARTS / FICTION DEPT.
The Absence of Stains
Tariq kisses the tiny red mark on the underside of her right breast, telling her how much he loves it, how beautiful it is. She says it really isn’t—it’s an angioma, a round-shaped collection of microscopic blood capillaries, nothing more.
‘You never fail to suck the magic out of a moment, do you?’
She laughs and he reaches under the covers, running a hand between her thighs, where she still throbs.
‘We can’t,’ Mariam breathes into his neck. She kisses the sticky skin and scrambles out of bed, bending down to pick up her bra. They’ve already used the only condom he had left, and she has to get home. Home, where her mother thinks she’s been at the movies for the past three hours.
‘When will you see the gyno?’ Tariq asks, lying back against the headboard and lighting a cigarette.
‘I told you, I don’t need a prescription to buy birth control pills.’
‘You should still see a doctor before you start.’
She continues to dress in silence, her back to him. Why would she go on the pill when she’s leaving for New York in three months? It’s been weeks since she got her acceptance letter, and still they both act as though nothing has changed.
The sun has set but the air inside his room is still heavy with the afternoon’s heat. Her question remains unvoiced.
Tariq wraps an arm around her stomach and plants a kiss on her thigh. ‘I don’t want you to go.’
Her breath catches. He probably just means he wishes she could spend the evening with him. ‘I’ll be back tomorrow,’ she whispers, still facing the huge Pulp Fiction poster on the wall, the upper left edge of which is starting to peel off with the humidity.
She is zipping up her jeans when he says, ‘So you don’t want these?’ She turns around. Her blue lace panties are hanging from his index finger.
‘I left them for you,’ Mariam smiles, climbing back into bed. Leaning against his bare chest, she reaches for the cigarette he’s left burning in the ashtray on his nightstand. The smoke comes out of her mouth in a ragged puff.
‘Nobody knows you. Not like I do,’ he says. Behind his black-rimmed square glasses his eyes look sad. ‘It excites and disturbs me.’
She sighs. ‘Me too.’
She hands him back the cigarette and heaves herself off the bed. Her tank top clings to her back, wet and stubborn.
‘You need to fix the fan,’ she says as she slips into her cardigan.
‘I’m almost relieved it’s broken, it was too damn noisy.’
‘Well, I prefer the noise to this stickiness,’ she says. She picks up her backpack and kisses him lightly on the mouth.
‘I love the stickiness,’ he says, pulling her in for a deeper kiss. Then, his teeth grazing her earlobe: ‘I love how your sweat smells.’
She giggles. ‘Fix the fan, we’ll be sweating anyway.’
In the elevator, Mariam catches a glimpse of her reflection in the mirror. Her face is flushed, different kinds of heat combined, and her hair has rebelled in an awkwardly shaped cloud of curls, its usual response to humid August days. She adjusts her top to hide any hint of cleavage, then decides to button the cardigan up instead.
Each look she gets from the familiar faces on the street—the mechanic working on another rundown car in front of his workshop, the men playing chess at the ahwa, the black-clad woman selling lemons and parsley on the sidewalk—makes her wonder whether they can tell why she’s here, on their tiny side-street in Mounira. Whether they can tell she’s been up in that building on the corner for hours, naked with a man she wasn’t married to. They’ve seen them together on the street sometimes, holding hands. She’s sure they have their theories.
Or maybe they don’t. Fear, after all, has a way of tricking you into believing you’re more important than you are. It fills you up, consuming every drop of your awareness, until the world itself becomes that cold circle of dread at your centre.
***
At home, she has dinner with her mother, Hanaa. She makes them two cups of mint tea afterwards, and they turn on the TV in time for the daily episode of Nip/Tuck.
During a commercial break Hanaa suddenly asks who she was with at the movies today. Mariam falters for a second, but her mother doesn’t wait for her response: ‘Your hippie boyfriend, of course,’ she says, her eyes still on the TV.
Mariam smiles as she attempts, for the hundredth time, to tell her that he isn’t actually a hippie, and that she would see that for herself if she would just agree to meet him. But Hanaa turns the volume back up.
They watch as Dr Christian Troy tells a plump redhead that if she wants to have sex with him, she has to wear a paper bag over her head so he can’t see her ugly face as they fuck. The woman agrees but the scene ends abruptly before they start to do it. The episode is so heavily censored it runs for twenty-five minutes instead of the usual forty.
Hanaa loves Nip/Tuck. She watches it religiously. Then she’d usually slip into bed and read a half-chapter from her old leather-bound Quran, a solitary habit she’s acquired since Mariam’s father died years ago.
Tonight, Hanaa falls asleep before she’s done. Mariam tiptoes into the room, removes her mother’s reading glasses and kisses her forehead. She turns off the bedside lamp, then closes the door soundlessly behind her.
***
In the pharmacy, her mother stood in line to pay for what they had bought: muscle relaxants for Hanaa’s back and a pack of winged pads for Mariam—she had only started to need them a couple of months before. She left her mother’s side and wandered around the fluorescent-lit space, through the aisle lined with hair and skincare products. Then she stopped at the corner with the colourful little bottles and boxes of mystery, promising pleasure and heat and exciting things. She had a sense of what they were, but she didn’t quite know. Her eyes took in the words on the packages: taste, tingle, slide. And the flavours: apples and strawberries and coconut. She stood there, wondering, imagining.
‘I’ve been looking all over for you!’
Hanaa took Mariam’s hand in hers, leading her towards the exit: ‘These things are for adults, you shouldn’t be looking at them.’ Her voice is gentle, her grip firm.
‘So, when I’m eighteen I can?’
‘When you are married,’ her mother corrected. ‘You should never be seen in this part of the pharmacy without a ring on your left finger.’
In Hanaa’s free hand, the tablets are in a clear plastic bag. The pads are in a black one, thick and opaque.
shop the republic
-
‘The Empire Hacks Back’ by Olalekan Jeyifous by Olalekan Jeyifous
₦70,000.00 – ₦75,000.00Price range: ₦70,000.00 through ₦75,000.00 -
‘Make the World Burn Again’ by Edel Rodriguez by Edel Rodriguez
₦70,000.00 – ₦75,000.00Price range: ₦70,000.00 through ₦75,000.00 -
‘Nigerian Theatre’ Print by Shalom Ojo
₦150,000.00 -
‘Natural Synthesis’ Print by Diana Ejaita
₦70,000.00 – ₦75,000.00Price range: ₦70,000.00 through ₦75,000.00
Mariam studies her face in the round magnifying mirror on her mother’s dresser. She hadn’t noticed the small errant hairs that had grown beneath her eyebrows since her last threading.
‘I wish I’d done my eyebrows,’ she says, not realizing she’s spoken out loud until her mother, busy trying to pick the right necklace to match her dress, retorts: ‘Your eyebrows? What about the cuckoo’s nest on your head?’
Mariam sighs. Her hair isn’t really that unruly, she’s simply chosen not to straighten it and to embrace her natural curls instead, which, for Hanaa, are barely fit to leave the house in; let alone attend the wedding of her favourite niece, where the entire family is going to be.
Mariam lines her eyes with kohl, layers her lashes with mascara, brushes her cheeks with a rose-hued blusher, then colours her lips crimson. She knows what her mother will say: too dark, too bold.
‘You’re not using any powder?’ Hanaa asks instead.
‘No, it looks like chalk on my face.’
‘That’s because you don’t buy the right shade.’
‘Mama, let it go.’
‘Habibti, this black dress already makes you look darker than you are.’
Mariam smiles wryly. ‘Mama, your powder won’t change the colour of my skin, nothing will, okay? We need to go, Hala’s going to kill us.’
Her mother spends another five minutes on the importance of powder, but a phone call from her aunt Hala, furious at how late they are, finally ends the discussion.
In the lavishly decorated ballroom at the Mena House, Mariam sits at a table with her mother and two aunts—Hala, the mother of the bride and Hoda, the eldest—and other senior family members. They keep asking why she isn’t dancing with the newlyweds like the rest of the ‘young ones’, and she keeps promising she will.
‘Don’t be so shy, Habibti,’ Hala says. ‘Go, let people see you.’
‘She’s not much of a dancer,’ Hoda says, as though Mariam can’t hear her. ‘She’s just like her mother, hips made of wood.’
‘Oh and you’re a real Fifi Abdou, aren’t you?’ Hanaa says, and Mariam laughs as she pictures her broad-boned aunt shimmying on-stage in her perpetual frown and flowing headscarf.
‘Well, apparently my daughter is,’ Hoda says.
Mariam follows her aunt’s gaze to where her cousin, Dina, is dancing with the bride and groom. Her glittery yellow dress accentuates her bronze complexion and perfectly proportioned curves. She is tall and beautiful and lithe. Mariam marvels at Dina’s ability to move so freely in those ridiculously high stilettos. Even more astonishing is how every hair in her sleek, stylish bob remains in place. She’s never been particularly fond of Dina, but she can’t take her eyes off her.
‘You see how tight her dress is? How revealing?’ Hoda laments. ‘I threw a fit before we left the house, she still wouldn’t change it.’
‘Don’t be stupid, woman,’ Hala says. ‘Your daughter knows what’s what. Three of the groom’s friends have already asked about her!’
‘It’s no use,’ Hoda says. ‘No man in his right mind would marry a woman like a skipjack! Meetings and parties and work trips—she comes home past twelve every night!’
‘Hoda, your daughter is successful. You should be happy,’ Hanaa says.
‘That’s the problem, as long as she’s so successful she won’t realize she needs a man. Look, a ship can’t have two captains. She won’t even tell me how much she makes.’
Mariam shakes her head. Dina is almost a decade older than she is, but that isn’t the only reason why they’ve never been close. Mariam has always seen her—an accounts manager at a fancy ad agency, with her oversized sunglasses and designer bags—as a personification of the corporate life she’s chosen to steer clear of. And, she admits to herself now, she’s always found her a little intimidating. Beyond the fact that their mothers were sisters and that they were the only two ‘girls’ in the family who were as yet ‘unspoken for’, she and Dina have never had much in common. But now, as she listens to her aunts talk about her, she can’t help but feel a twinge of compassion.
‘O’balik, my dear Mariam,’ her aunt Hala says with a wide smile. May your turn soon come. Mariam smiles back at her. She’s lost count of the many customary o’baliks addressed to her since they’ve arrived, but her aunt Hala’s feels genuine. She wants her niece to be happy, and where else can a woman find happiness but in her husband’s home? Mariam is somewhat moved by the glow of achievement on her aunt’s full, round face, beneath the layers of powder and foundation: She has finally married off her daughters, and now she can fully focus on helping her sisters with theirs.
‘This one? It’s the last thing on her mind,’ Hanaa says with a dismissive wave of her hand. ‘She’s going to America for two years! Who is she going to marry, huh? Where? When? God forbid she falls for some blond bimbo and brings him home to me.’
Mariam gives her mother a pointed look. ‘I thought you were happy I’m finally getting a master’s degree!’
‘I am, but what kind of mother doesn’t want to see her daughter in the kosha?’ Hanaa says. ‘Now I have to wait until you come back, then meet someone, then get engaged… I’m going to have one foot in the grave before I dance at your wedding!’
It angers Mariam, how her mother deliberately ignores her relationship with Tariq. She decides it’s time to join her cousins on the dance floor. She can feel Hanaa’s eyes on her as she walks away from the table; can hear her complain to her sisters about Mariam’s choice of shoes: ‘For the Prophet’s sake, tell me, who wears such basic flats to a wedding?’
***
Mariam climbs the old, decaying marble stairs to Tariq’s apartment. His next-door neighbour, a balding middle-aged man who lives with his wife and two daughters, is standing in the hall, speaking to a man she doesn’t know. His eyes meet hers, but neither of them acknowledges the other.
She rings the bell and Tariq lets her in. She doesn’t kiss him until he’s closed the door.
‘Your neighbour makes me nervous,’ she says as she drops her backpack and camera case on the floor. ‘I hate it when he sees me come in.’
‘He has no business what goes on in here,’ Tariq says.
She takes a bottle of water out of the fridge, pouring some into a glass. ‘Did you fix the fan?’
‘No,’ Tariq says. He pushes her back against the kitchen counter and starts to kiss her. She puts the glass down and slips a hand beneath his t-shirt. He pulls her up onto the counter. She bites his lower lip and he smiles into her mouth.
He is kissing her shoulder when, through the sound of their fevered breathing, she hears Quranic verses begin to play. They are faint at first, but they grow louder. She makes out the opening lines of Al Baqara. She edges away from Tariq. ‘Where is this coming from?’
‘I don’t know,’ he says. ‘It’s strange.’
Tariq opens the door and peers out. The hall is empty, but the door to his neighbour’s apartment is ajar, and it’s clear that this is where the Quran is coming from. She waits on the bed as Tariq knocks and calls out: ‘Is everything okay? Has somebody died?’
A minute later he comes back inside and closes the door. He looks at her and shrugs. The Quran is still playing.
‘He’s a fucking bully,’ she says, her voice slightly shaking. She lights a cigarette from the pack on Tariq’s nightstand.
‘It doesn’t have anything to do with us,’ Tariq tells her. He sits down next to her and squeezes her knee. ‘Calm down.’
‘I’m alright.’
He moves in to kiss her but she turns her face away.
He sighs. ‘Mariam, I told you, if you feel so guilty then maybe we shouldn’t be doing this.’
‘I do not feel guilty.’
He gets up and walks to the window. She wants to go to him, to press herself into his back so tightly until she no longer feels like a separate person. But she can’t move—her limbs feel cold and heavy.
‘Are you hungry?’ he asks.
She nods.
He ruffles her hair on his way out of the room. She kicks off her shoes and leans back against the pillows. On the opposite wall is a poster of Tariq’s first documentary. They’d first met at its premiere, two years ago. She remembers watching him during the Q&A that followed, thinking his glasses were too big for his face, and secretly wishing he didn’t have a girlfriend.
He comes back with his phone against his ear and plops down on the beanbag next to the bed. He’s talking to the pizza place but she’s not listening. She watches his full lips move; the precise veins on the back of his hand; his fingers, long and brown. He hangs up and she is already next to him, her mouth eager against his. She pulls off his t-shirt, and she straddles him.
She doesn’t know if the Quran has stopped playing, but she can no longer hear it.
***
For years she would avoid that particular part of the pharmacy as her mother had instructed. Not because she was afraid anyone would see her there without a ring, but because as she grew older—as she knew her body and the nights where she would touch herself alone in her bed piled one on top of the other—the sight of the bottles and boxes sitting on their shelves, speaking to her of intimacies she didn’t know, waiting for other people to buy them, brought none of the child’s wide-eyed curiosity anymore, but a shapeless anger she didn’t know how to harness, and for a long time couldn’t even define.
She told all of that to Tariq when he said he didn’t want her to sleep with him only because it was what he expected out of a relationship. He wasn’t pressuring her, she told him—her own need was.
It happened naturally when it did. They were in his room, watching The French Connection and, halfway into the movie, they abandoned it—as they did every film they tried to watch together—while their limbs tangled and mouths locked, tongues writhing, hands roaming and possessing. His breath seared her skin and she could feel his lips on all of her at once and her heart was beating through every nerve in her body, and she knew that this time they wouldn’t stop. And so when he whispered, ‘Take me into you’, she reached for him and she did—with gunshots and a car chase in the background, the glare of the large LED screen the only light in the room.
It was painful, and at some point they both laughed, but afterwards he held her and she was light, happy. Nothing felt different in her body, she barely even bled at all. She went out with friends later, and they had ice cream, and she didn’t talk about it, and for a while it felt just like any other day.
The only time her body reminded her that it had experienced something new and unfamiliar was later, when she prayed. She had always thought that, if she ever crossed that line, she wouldn’t pray anymore. But that night, after she’d gone home and watched Nip/Tuck with Hanaa, she found herself spreading the small rug onto the floor and wrapping her veil around her head. And it was when she knelt down and then bent over, her forehead touching the ground, that the movement made her feel sore, exposed—and in a flash she saw Tariq, felt the heavy pressure of him inside her, and an involuntary shiver ran through her as she recited: ‘Praise to my Lord, the Highest.’
shop the republic
In their corner of the ahwa, Mariam and Tariq are enveloped by fragrant clouds of smoke, the gurgling of their shishas low and soothing against the loud chatter and the noise of the wall-mounted TV.
‘I can’t come to Dahab,’ she tells him, snapping the backgammon board shut and pushing it aside to make way for the steaming cups of tea the waiter places down on the table.
Tariq grins at her, right eyebrow raised in a mocking question mark.
She chuckles. ‘What? I’m not really in the mood to lose for the third time in a row.’
His phone rings, and a short conversation with his mother follows. She’s angry that he hasn’t visited in a week and he tells her he will tomorrow. After he hangs up, he lies back in his chair and starts to scroll through his phone, the white light reflected in his glasses, hiding his eyes.
‘Why can’t you come to Dahab?’ he asks.
‘You know why I can’t come to Dahab, Tariq,’ she says, recognizing and instantly regretting the defensiveness in her tone. ‘I can’t tell Hanaa I’m traveling with you.’
‘Yes, you can,’ he says, and quietly places his phone back on the table. ‘You just don’t want to.’
Smoke rises from the velvet-covered tube against his mouth, and for a moment she can’t see his face.
‘What’s that supposed to mean?’
‘It means you insist on leading this double life and it frustrates me,’ he says. ‘You’re not a child.’
‘I’m not leading a double life, my mother knows about us,’ she hesitates. ‘I just don’t want her to know we sleep together.’
He doesn’t respond.
‘I can’t tell her everything, Tariq,’ Mariam says, although he’s heard everything before. ‘I don’t want to put her through this, she won’t understand.’
‘You don’t have to tell her anything!’ He sounds exasperated, and it annoys her. ‘You don’t owe your mother any explanations, Mariam.’
She sighs. He doesn’t get it. He almost does, sometimes. But he doesn’t.
‘My parents tried to control me, too,’ he goes on. ‘For a while they effectively did, you know what my father was like. But at some point I just had to—’
‘Oh, please.’
‘What?’
‘We’re not in the same boat and you know it.’
‘Elaborate.’
‘Do I really have to say it?’
‘Yes, because I’m not sure what you’re getting at.’
She looks him straight in the eye. He sighs.
‘Look, you’re a strong, intelligent woman. You should fight for the life you want,’ he says, steady and deliberate.
‘Oh, so I’m a coward now?’
‘What? I just said you’re strong and—’
‘This is a relationship,’ she says, anger seeping into her words. ‘I’m with you because I want you, not because I need you to liberate me or something!’
He doesn’t back down. ‘Mariam, they practically own your body.’
‘They who?’ Her voice grows louder now.
‘Your mother and everyone else you’re trying so hard not to offend.’
‘If they owned my body it wouldn’t have been naked in your bed the entire afternoon, would it?’
‘That’s not what I mean—’
She continues over his words, almost yelling, ‘God! What more do I have to do to prove—’ her voice breaks on an abrupt sob.
The bubbling of the shishas, the clatter of dice on wood, the men’s overlapping conversations, the football game blasting on the ancient TV—everything wanes in the silence between them.
‘Mariam…’
Through her tears she sees his face. He looks surprised, almost scared. Softly, he says, ‘You don’t need to prove anything.’
He reaches for her hand across the table. She can feel her heart pounding. There is a buzzing in her ears and everything she sees is shrouded in a white fog. She pulls her hand away and grips her water pipe. The smoke bathes her lungs.
***
Mariam’s insides twist each time she looks at Dina, slouched in the yellow armchair in their living room. Her face is pale, her hair tied in a tight bun. She answers when she is spoken to, she smiles even, but she looks dejected.
‘We’re not telling her father, of course,’ Mariam’s aunt Hoda says. ‘Luckily none of the bruises are anywhere he can see.’
Mariam can predict her aunt’s next words before she actually says them: ‘You know he’s from the south. Do you have any idea what his family over there would do in a situation like this?’
From the south, from the south, from the south. Hoda carries her husband’s Upper Egyptian upbringing like a shield and wields it like a weapon.
‘When are you getting the test done?’ Hanaa asks. She is sitting next to her sister on the couch, her entire face overshadowed by the deep frown creasing her forehead.
‘As soon as we possibly can,’ Hoda replies. ‘Will you call Dr Hassan for us?’
‘Of course,’ Hanaa says. ‘And I’ll come with you when you go.’
Dina looks like she’s about to say something, but then her face falls back into its earlier resignation.
Mariam knows that if it weren’t for her late father’s contacts, among whom is the trusted family gynaecologist, Hoda would have kept this a secret even from her mother.
Hanaa asks her sister and niece what they’d like to drink, and although they say they don’t want anything she insists she will make tea. Hoda follows her into the kitchen, and Mariam finds herself alone with Dina, with no idea what to say.
‘Are you still in pain?’ she hesitantly asks.
‘A little,’ her cousin replies, ‘but it’s getting better.’
There had been no bleeding, Dina said earlier. She had been assaulted but she had not been raped. And yet they’re making her submit to a test. To be sure ‘everything is alright’, as Hoda phrased it. Mariam doesn’t know whether Dina’s a virgin, but if she were in her place, she now thinks—under the threat of her family finding out that she wasn’t—she would say she had been raped. To them, that would be better than knowing she had sinned willingly.
She looks at the girl across from her, thin and frail in sweatpants and a t-shirt, and wishes they were friends. She wishes she could hug her, not half-heartedly, and tell her how sorry she is.
‘Is work going well?’ she asks instead.
‘I’ve been on leave since…’
‘Right, of course,’ Mariam interjects.
A small silence ensues, and she finds herself recalling the summer she read The Nightingale’s Prayer for the first time. She was twelve or so, no match for the dense language or the layered narrative, riddled with symbols. For years she didn’t understand what Hanady had done, or what had been done to her. A similar feeling grips her now. Something akin to the inadequacy of a child faced with a highly complicated text.
‘Can I ask you something?’
Dina nods.
‘Why don’t you say no? You’re an adult, you make your own money…’ Mariam trails off. She swallows then she continues: ‘You’re not powerless. You don’t have to allow this.’
For a moment, Dina stares at her, her face inscrutable. ‘You honestly think I haven’t tried?’
Then she rolls her eyes: ‘Listen, Mariam. I’m a normal person, and I want a normal life. I want to get married and I want to have kids and I want to live in a compound in the suburbs and go out for brunch with my friends, and they aren’t bohemians who feel at home in sketchy downtown bars. I have no interest in making statements.’
Mariam is taken aback. ‘But what does…’
Dina interrupts, her voice sharper, the blood finding its way back to her face: ‘Of course I said no. And I can keep saying no. But it will only make them think I have something to hide. And then things will escalate, and I’ll probably have to move out, and they’ll never talk to me again. And what kind of life would that be, in a place like this? If my own family doesn’t have my back, what’s the point? Why should I believe there’ll be more kindness out there than what they’ve shown me?’
Mariam lowers her gaze to the floor as Dina takes a deep, serrated breath.
‘Can I go out for a smoke?’ she asks, gesturing towards the balcony.
‘Sure,’ Mariam says, relieved.
Dina takes out a pack of Davidoff Slims and a lighter from her purse. She gives Mariam a weak smile, then walks out through the glass doors.
Mariam sighs. She wonders if she should follow her, but she knows it’s because she wants a cigarette, not to comfort her cousin. What comfort has she to bring her? Her own skin feels like a badly applied coat of paint against the walls of her body.
She can hear Dina humming in the balcony, the tune carried on the evening breeze. A sudden memory finds shape and colour in her head: a teenaged Dina standing at the mirror, brushing her long and lustrous black tresses while she, still a child, sits cross-legged on a big, pink bed, watching her cousin in adoration. The memory gains sound, and she can almost hear the lilt of Dina’s voice singing as she starts to braid her hair. She can swear that on that distant night she spent at her aunt Hoda’s, mesmerized by her older cousin’s beauty, Dina was singing the same song she now hums. But in her memory, it is light and bouncing with promise, while now it quivers with pain.
Mariam takes a step toward the balcony, but then she turns around and heads for the kitchen instead. As she approaches, she can hear Hoda speaking in hushed tones, her voice flat and heavy, ‘… and of course she doesn’t want to have the test, she’s been crying for days…’
When Mariam enters, she’s continuing: ‘… but there’s no other way, God knows it’s been hard enough finding her a husband already!’
Hanaa is pouring hot water from the kettle onto the tea bags in the mugs while her aunt scans the shelf for the sugar jar. When she realizes Mariam is there, she looks at her blankly, then puts the jar on the counter and saunters out without a word.
Mariam starts to place the tea mugs on a wooden tray. She wants to smash them across the room and watch the brown stains creep down along the tiled wall.
‘I don’t get it. Dina said she wasn’t raped. What use is the damn test if they’re not pressing charges?’
‘Her mother wants proof, in case…’
‘In case what? What kind of person asks for proof of virginity before marrying someone?’ Mariam objects, stirring sugar into her mug. ‘This isn’t Sohag!’
‘It’s not like that, it’s just…’ Hanaa is taking out butter biscuits from a tin box and laying them out onto a plate. ‘Your aunt, it’s for her peace of mind. She needs to know what she’s up against.’
Mariam keeps stirring, as though dreading the emptiness that would engulf their conversation without the clinking of metal against glass. ‘You can’t let her do this to Dina. It’s a violation, you know it is.’
Her mother continues to arrange the biscuits in concentric circles, enough biscuits to feed a small army.
‘Mama—’
‘Enough!’
Her mother’s voice is unraised but unyielding. One of her hands hovers in mid-air above the biscuit-laden plate. Mariam thinks she sees it tremble.
The stirring comes to a stop. Hanaa speaks again, and this time her voice shakes: ‘It’s not my call.’
Mariam drops the teaspoon into the sink, where a few dirty plates remain from dinner. She picks up a sponge and proceeds to wash them, trying to keep silent. But then she mutters, ‘It’s not Hoda’s call either.’
She expects Hanaa to yell but is only met with silence. She turns off the faucet and looks up at her mother. ‘Mama?’
Hanaa has one hand across her forehead, gripping both temples. When she removes it, her eyes are moist. She picks up the tray and walks out of the kitchen.
shop the republic
The day after their first time, Tariq covered his mattress with old newspapers and plastic bags, securing them in place beneath the same blue sheets they’d made love on the previous afternoon. Mariam realized that when she fell onto the bed as they kissed and felt the rustling beneath her. He said she hadn’t bled the day before, so he hadn’t known what to expect today, and he didn’t want to risk ruining the new mattress he’d just bought from IKEA. She said virgins don’t always bleed, and it’s hardly ever a shower. He said how could he know when he’d never been anyone’s first? There were many ways he could know, really, but she didn’t say that. They ended up having sex on the bare mattress, the floor strewn with discarded clothes and expired headlines.
***
This afternoon, Mariam walks to Tariq’s place from another direction. She is more comfortable not being seen by the same people every day. This side of the neighbourhood is quainter, almost peaceful. Her eyes take in the dilapidated buildings, barely standing relics of a mythical Cairene ‘belle époque’. In front of a small store with no sign, an old man sits on a plastic chair, reading a newspaper. On the wall behind him is a faded sticker of the Virgin Mary, and next to it, in big black letters, someone has sprayed the words: ‘God can see you.’
In Tariq’s room, she opens her laptop and answers a few emails as he showers. She can hear the sound of water splashing in the bathroom and wishes she could jump in with him to wash the day’s dust off her body before they head back out. But what would she say to Hanaa if her hair hasn’t dried by the time she gets home?
He has fixed the fan, at least, and she revels in the bursts of air it directs at her, cool and gentle on her skin. On a whim she opens the weather app on her phone, adding a new location.
It’s raining in New York.
He walks in then, a towel wrapped around his waist, and he hands her a bowl filled with watermelon cubes. He bends down and kisses her, droplets of water trickling from his wet black curls onto her fingers.
He stands at the mirror and pulls his hair back into a neat ponytail. She nibbles on the cold watermelon as she watches him, the late afternoon sunbathing his skin in a golden hue. She wills time to stand still.
She brings her camera out and starts to take pictures of him—his back, his reflection, his hands as he unwraps the towel. He laughs and asks her to stop but she knows he’s enjoying it, and she doesn’t. Now all of him: naked at first, then with his boxers on, then his jeans, then he is looking down and buttoning up his shirt, then he is smiling right at her, the shirt tucked in, the belt in place, his glasses on.
They walk down his street the same way she entered it earlier, and they pass by the shop with the sticker of the Virgin Mary, but the man is no longer sitting there. ‘Look at that,’ she tells him, pointing at the sticker and the warning next to it. ‘It’s like she’s telling me she’s pissed: “Mariam, you’ve dishonoured my name!”’
He laughs as he wraps an arm around her.
‘What?’
‘This is a barber shop, some of the neighbourhood kids go in for haircuts then slip out without paying,’ he explains. ‘This is only “Amm George trying to scare them.”’
‘Seriously?’
‘He told me the story himself,’ Tariq says. ‘This is where I get my hair cut, you know.’
‘When was the last time that happened?’ She tugs at his ponytail.
‘I have no idea,’ he chuckles, ‘but it was here.’
She leans her head against his shoulder and thinks of fear again—of that cold circle of dread that tricks you into believing nothing exists beyond it. She thinks of stolen dreams and twisted arms, of a woman buried in the desert. She thinks of airplanes and oceans and distant cities where it rains in the summer. And how even blood stains are easy to remove when still fresh. She looks up at him and she knows nothing lasts.
And then, as the sky darkens above them and the lampposts cast their thin, yellow glow, for the very first time without four walls to contain them, she stands on her tiptoes and, ever so lightly, she touches her lips to his⎈
BUY THE MAGAZINE AND/OR THE COVER
-
‘The Empire Hacks Back’ by Olalekan Jeyifous by Olalekan Jeyifous
₦70,000.00 – ₦75,000.00Price range: ₦70,000.00 through ₦75,000.00 This product has multiple variants. The options may be chosen on the product page -
The Republic V9, N3 An African Manual for Debugging Empire
₦20,000.00