In his poetry chapbook, Nature Knows A Little About Slave Trade, Nnadi Samuel flexes an impressive thematic range, perpending such timeless and timely conditions as social policing, childhood, slave trade, religion as well as sign language.
Nigerian writer, Chukwuebuka Ibeh, says the reception in Nigeria for his debut novel, Blessings, has been delightfully surprising: ‘I was prepared for much more vitriol, but that hasn’t been the case. I’ve also been amused by the split responses to events in the book, with some people wanting much less of the same thing that others seem to want much more of.’
In his debut novel, Loss is an Aftertaste of Memories, Michael Chièdoziém Chúkwúderà offers a deeply moving portrait of a narrator ahead of his time, contemplating childhood through the lens of memory.
The bildungsroman is the novel of Nigeria. No other kind of novel captures completely what it means to be Nigerian in the volatile, high-velocity, interconnected world of the twenty-first century.
Nigerian writer, Chimezie Chika, believes that fidelity to the quality of work is what makes an artist or artwork timeless: ‘I think art has a lot to do with quality—and I mean quality as substance: the quality of colour, the quality of light, the quality of strokes, the quality of mood, the quality of thought, and the quality of ideas. All great art possesses these qualities.’
Food content creation in Nigeria is a booming niche that blends creativity, the cultural diversity in the country, and a global food culture. The scene is however marred by ethnic prejudices and online bullying.
The Lebanese in Nigeria form one of the country’s most dynamic diaspora communities, with a fascinating history marked by notable commercial success and subtle political influence.
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