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Books

7 Books That Will Connect You to Your Inner Child

Ìjàpá O·November 3, 2024
In our latest book recommendation, we have compiled a list of seven books that will connect you to your inner child. These books will take you back to your childhood, reminding you just how far you have come in how you view the world. Read More...
October/November 2024Read Something AfricanReading
Dangote

A Clash of Titans

Nmesoma Ekeugo·November 3, 2024
In the world of power and influence, Bola Ahmed Tinubu rules the political arena while Aliko Dangote reigns supreme in the realm of business. What happens when these two giants clash? Read More...
NigeriaOctober/November 2024
Adedamola

The Poetics of ‘Adedamola’

Adeniyi Odukoya·November 3, 2024
In his 2024 album, adedamola, Fireboy embarks on a journey back to his roots, reminding listeners that he has not lost the essence that first captured their hearts. Read More...
NigeriaOctober/November 2024
Taiwo Egunjobi

The Persistent Voice in Taiwo Egunjobi’s Films

Seyi Lasisi·November 3, 2024
As he speaks, the commanding ease in Taiwo Egunjobi’s words and manner pitches him as an important custodian of knowledge and insight about Nigerian and world cinema. Egunjobi’s films always cast a permanent residence on viewers’ minds. Read More...
NigeriaNovember/December 2024
J. A. Green

The Photography of J. A. Green

Emmanuel Esomnofu·November 3, 2024
Depicting power and its associative emotions, J. A. Green’s catalogue speaks to the function of history. Read More...
NigeriaOctober/November 2024
Tobi Eyinade

‘Africans Do Read’ Tobi Eyinade’s First Draft  

Tobi Eyinade·November 1, 2024
Co-founder of Rovingheights Bookstore, Tobi Eyinade, disagrees with the belief that Africans do not read: ‘Rovingheights would not be here after nine years if that sentiment holds true. People often say Africans don’t read, yet we have managed to build a thriving book business despite the daunting challenges. Africans do read. While the numbers may not match those of other continents, we have come a long way.’ Read More...
First DraftInterviewsNigeriaOctober/November 2024
Anglophone Crisis

Cameroon’s Axis of Power

Achille Tenkiang·October 27, 2024
How Israel, France, and the US shape the Anglophone Crisis. Read More...
Best of 2024: EssaysCameroonOctober/November 2024
With Difficulty Comes Ease

Not Just Another Woman’s Story

Seyi Lasisi·October 27, 2024
In her film, With Difficulty Comes Ease, Korede Azeez captures, with illuminating patience, the story of Nigerian women. She tells the story of women living under constant scrutiny, where their every action or inaction is subject to critical and often unjust judgment. Read More...
NigeriaOctober/November 2024
Adetshina

Chidimma Adetshina and the Danger of Xenophobia

Adenike Fapohunda·October 27, 2024
The rejection of Chidimma Adetshina by the South African public perhaps reflects a complex post-apartheid conception of Blackness—and more specifically, Black womanhood—that is rigid and unaccommodating to those who differ, whether by ethnicity or nationality. Read More...
NigeriaOctober/November 2024South Africa
Talk shows

Are Indie Creators the Future of Talk Shows in Nigeria?

Gabriella Opara·October 27, 2024
Talk shows in Nigeria have undergone a revolution with the rise of indie creators who have adopted confessional-style videos and personality interviews. Read More...
Best of 2024: EssaysNigeriaOctober/November 2024

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CURRENT ISSUE

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
___________⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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