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Tanzania

The Political Dilemmas of Tanzania’s Music Artists

Karen Chalamilla·October 27, 2024
Owing to stifled freedom of speech coupled with minimal structural support, Tanzanian music artists are finding themselves without any political space beyond praising the ruling government. Read More...
October/November 2024Tanzania
Books

7 Books That Bring Elderly Characters to Life

Ìjàpá O·October 27, 2024
In our latest book recommendation, we have compiled a list of seven books that bring elderly characters to life. Whether featuring a closeted grandpa in the UK or a sexually liberated seventy-five-year-old Nigerian woman in San Francisco, the books on this list prove that great fiction can centre around elderly characters too! Read More...
October/November 2024Read Something AfricanReading
Books Writers

Writers and the Contemporary Books They Believe Will Become Future Classics

Ijapa O·October 25, 2024
In our past First Draft interviews, we asked leading African writers about the contemporary books they believe will become classics in the future. Here’s what they told us. Read More...
First DraftInterviewsOctober/November 2024
Federalism

How To Wean Nigeria Off The ‘Feeding-Bottle’ Federalism

Doyin Olagunju·October 20, 2024
At the heart of Nigeria’s federalist gambit is the agitation by states for greater control over their local mineral resources. But in a fiscally federal Nigeria, who gets what, when and how? Read More...
NigeriaOctober/November 2024
Ghostroots Pemi Aguda

The True Cost of Female Agency

Edwin Okolo·October 20, 2024
In her debut collection, Ghostroots, ’Pemi Aguda challenges our assumptions about the complexities of female relationships, heightening the outcomes by casting them in, and sometimes against, a city that is both magnificent and macabre. Read More...
Best of 2024: EssaysNigeriaOctober/November 2024Reading
Protest Kenya

Kenya’s Season of Protests

Dennis Mugaa·October 20, 2024
Earlier this year, a new young generation of Kenyans went out to protest a crippling finance bill and a government that is undermining their future. The protests, though met by brutal state violence, have fundamentally shifted the Kenyan political landscape. Read More...
KenyaOctober/November 2024
Gender

Are You Laughing With Us or at Us?

Ugochukwu Damian Okpara·October 19, 2024
When I think of the growing trend of social media skits featuring male comedians who dress up as women, I think especially of the dehumanization of women and everyone who lives outside the rigid ends of the gender spectrum. Should a line be drawn on these performances? Or should we be increasingly unsettled? Read More...
Best of 2024: EssaysNigeriaOctober/November 2024
Dennis Mugaa

‘I Hope That My Work Will Never Side with the Oppressor’ Dennis Mugaa’s First Draft

The Republic·October 18, 2024
Kenyan writer and author of Half Portraits Under Water, Dennis Mugaa, believes that President William Ruto’s administration is authoritarian: ‘Young people genuinely want a better country, but we are living in a country that has been slowly sliding into authoritarianism over the past two years, since President Ruto’s government took over. Beyond that, his leadership has been very poor.’ Read More...
First DraftInterviewsKenyaOctober/November 2024
Books

7 Books That Are Time Machines in Disguise

Ìjàpá O·October 17, 2024
In our latest book recommendation, we have compiled a list of seven books that are time machines in disguise. These books will take you from the Nigerian civil war era to pre-apartheid South Africa, and even many centuries back to the expedition that brought the first African to the Americas. Read More...
October/November 2024Read Something AfricanReading
Podcast Ken Saro-Wiwa

Looking for Ken Saro-Wiwa

The Republic·October 14, 2024
The Republic: A Podcast is a narrative podcast series exploring pivotal Nigerian and broader African historical events and figures. In the second season, host Wale Lawal traces the life and legacy of Ken Saro-Wiwa, one of nine non-violent Ogoni activists the General Sani Abacha military government brutally executed in 1995. Read More...
NigeriaOctober/November 2024

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We’re on Instagram!

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
⁠
We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠
⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
___________⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
____________⁠
📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
⁠
The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
⁠
📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
📌 Check the pinned comment for our question of the day.
___________⁠
⁠
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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