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‘Publishing a Novel During a Global Pandemic Is Distracting’ Candice Iloh’s First Draft

Candice Iloh·July 5, 2024
Nigerian-American award-winning author of Every Body Looking, Break This House, and Salt the Water, Candice Iloh, wouldn’t change much about their 2020 debut, only that they would have celebrated it more: ‘The dream I’d had for the year my first book came out crumbled so quickly that it stopped feeling exciting.’ Read More...
First DraftInterviewsJune/July 2024Nigeria
A Fanonian Perspective on Israel and Palestine

A Fanonian Perspective on Israel and Palestine

Kai Mora·July 4, 2024
The perpetual timelessness of repeating historic mistakes can only be combated with timeless, prudent and even prescient logic. Frantz Fanon’s work provides an important perspective to understand the ongoing genocide in Gaza. Read More...
Best of 2024: EssaysJune/July 2024Nigeria
Fire and Blood and Kendrick Lamar in Jos

Fire and Blood and Kendrick Lamar in Jos

Solomon Haruna·June 30, 2024
An inspection of the anatomy of the violence that has plagued the beautiful home of ‘Peace and Tourism’, Jos, employing the lyricism of the American rapper, Kendrick Lamar. Read More...
Best of 2024: EssaysJune/July 2024Nigeria
Review: Oya: The Goddess of the Gods (2024)

A Legendary Tale Lost in Animation

Yinka Adetu·June 30, 2024
Lawrence Dieyi’s animated epic film, Oya: The Goddess of the Gods, falls short in its attempt to retell the legendary story of Oya to a new audience. However, it successfully bridges the gap between tradition and modernity by reimagining an ancient tale in a fresh and innovative way. Read More...
June/July 2024Nigeria
Books

7 Books That Can Help You Question the World Around You

Peace Yetunde Onafuye·June 30, 2024
In our latest book recommendation, we have compiled a list of seven books that can help you question the world around you. These books offer thought-provoking narratives and ideas that encourage readers to question the world around them. Read More...
June/July 2024Read Something AfricanReading

Nigerian Women Reclaim Joy and Freedom in Female-Only Festivals

Gabriella Opara·June 29, 2024
In the face of societal inequalities and limited public safe spaces, Nigerian women are carving out their own sanctuaries. Read More...
June/July 2024Nigeria

‘Write Something Familiar in a Way That Readers Encounter It as Something New’ Ololade Faniyi’s First Draft

Ololade Faniyi·June 29, 2024
Nigerian feminist scholar and author of An African Feminist Manifesto, Ololade Faniyi, is drawn to writings about the digital and the African imaginary: ‘We must resist the universalizing mission disguised as bridging the technological divide. We have lost so much as a people; we don’t have any more to lose.’ Read More...
First DraftInterviewsJune/July 2024Nigeria
Shooting the Great Nigerian Film

SHOOTING THE GREAT NIGERIAN FILM

Ifeoluwa Olutayo·June 27, 2024
Nigerian cinema has reached new revenue and audience heights in the New Nollywood age. But is there room for a new cinematic consciousness that truly interrogates Nigerian realities and beliefs? Read More...
June/July 2024Nigeria
Book Review: The Changing Man by Tomi Oyemakinde

African Fiction and the Paranormal

Mazeedah Olutosin·June 23, 2024
In his debut novel, The Changing Man, Tomi Oyemakinde places a Black protagonist at the centre of paranormal events, setting a new mark for African writers. However, there is still room for improvement in his work. Read More...
June/July 2024NigeriaReading
Changing the Nigerian Anthem

Changing the Nigerian Anthem

Olakunle Mohammed·June 23, 2024
Is a new(-ish) anthem what Nigeria really needs right now? Read More...
June/July 2024Nigeria

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CURRENT ISSUE

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The essential guide to the ideas, trends, people and stories shaping Nigeria and the broader African continent. Subscribe from N5,000/$5.99 monthly.

We’re looking for the most interesting brands! ⁠
⁠
For the first time since we officially launched in 2018, The Republic is opening up its platform to advertisers.⁠
⁠
But we’re not doing it the usual way.⁠
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We’re inviting a small number of visionary African brands (companies and organizations building for the future, shaping culture, and sparking conversation) to advertise with us in a way that reflects our values: bold thinking, clean design, and editorial integrity.⁠
⁠
As part of this pilot, we’ll be selecting just three standout brands to receive a full month of premium visibility—across our website, newsletter, and social media channels—for ₦200,000 (a special flat rate compared to our standard ₦2 million).⁠
⁠
If selected, your ad will be vetted and supported by our editorial team to ensure it aligns with The Republic’s visual and storytelling standards. This is a rare chance to reach our highly engaged, globally minded African audience—on terms that elevate your brand.⁠
⁠
For more details and to apply, visit the link in our bio or IG story. ⁠
⁠
Deadline: 12 July 2025.⁠
⁠
We can’t wait to see what you’re building.
Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHi Today in 1922, Joseph Ki-Zerbo was born. #RPUBLCHistory⏳️⁠
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On 21 June 1922, Joseph Ki-Zerbo was born in Toma, Upper-Volta (now Burkina Faso). As a historian, politician and writer, Ki-Zerbo is recognized as one of Africa's foremost thinkers.⁠
⁠
Read more about Burkinabé politics by clicking the image in the link in bio⁠
____________⁠
📝: Ibukun Olokode x Ugonna Eronini⁠
📷: 1)Joseph Ki-Zerbo / Wikimedia Commons.⁠
2)Joseph Ki-Zerbo / Wiki.⁠
3)Thomas Sankara at the UN headquarters, New York, 1984. Milton Grant/UN Photo.
Nok and Africa’s Disregard for Prehistory #OnSi Nok and Africa’s Disregard for Prehistory  #OnSite⚡⁠
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⁠Who stole our past, and why did we let them?⁠
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Nok art, 2,500 years old, locked in glass boxes in Paris. A German university training archaeologists on Nigeria’s Nok Valley, with none of them African. An ancient Ethiopian feminist philosophy rediscovered in Norway, while Addis Ababa looked the other way.⁠
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In today’s essay, Odafin Odafe Okoh confronts the question at the heart of Africa’s heritage crisis: Why do African leaders continue to treat precolonial history as dispensable? And what happens to a society that allows the world to define its past?⁠
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It’s a timely, cultural report about imperial theft but more hauntingly, it is about African amnesia, state-sanctioned silence and the quiet burial of our most powerful intellectual legacies.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
⁠
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📝: Odafin Odafe Okoh⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: WIKIMEDIA. Nok Art / African Art Gallery.⁠
🔍: Ada Nnadi (@horneddaughter), Yusuf Omotayo (@yusufomotayo), Wale Lawal (@wallelawal); Editors.
Today in 1920, Amos Tutuola was born. #RPUBLCHisto Today in 1920, Amos Tutuola was born. #RPUBLCHistory⏳️⁠
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On 20 June 1920, Amos Tutuola was born in Abeokuta, Nigeria. He was a Nigerian novelist whose works featured rich Yoruba folklore written in nonstandard English. Many of his books featured stories he had heard as a child.⁠
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Swipe to learn more and read more about Amos Tutuola by clicking the image at the link in our bio.⁠
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📝: Ibukun Olokode and Ugonna Eronini⁠
📷: 1) Amos Tutuola. Francoise Huguier/Harry Ransom Humanities Research Center/The University of Texas at Austin. ⁠
2) Amos Tutuola. Wikimedia Commons.⁠
Press Freedom is at Risk in the Democratic Republi Press Freedom is at Risk in the Democratic Republic of Congo. #RPUBLCNews📡⁠
⁠
The Democratic Republic of Congo (DRC) has banned the country’s media from reporting on the activities of former president, Joseph Kabila, and his party, the People’s Party for Reconstruction and Democracy (PPRD), claiming that they pose a threat to ‘national cohesion’. This comes after Kabila visited the eastern city of Goma, which is controlled by the M23 rebels currently fighting the DRC army. ⁠
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The ban raises concerns about press freedom in the DRC, coming only two years after the country passed a new press law potentially restricting press freedom and providing several opportunities for journalism to be criminalized. In 2024, the Journalist in Danger, a DRC-based organization, reported that there had been ‘at least 523 cases of various attacks against the press’ in the last five years.⁠
_____⁠
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📝: Ijapa O (@ijapa_o)⁠
🔍: Ezinne Osueke (@ezinne.o.osueke), Yusuf Omotayo (@yusufomotayo), Adetola Wahab; Editors.
What Is the Place of Nollywood in the World? #OnS What Is the Place of Nollywood in the World?  #OnSite⚡⁠
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Despite being the world’s second-largest film industry by volume, Nollywood remains startlingly absent from the global spaces where culture is consumed. On a train from Paris to Lille for Series Mania—the largest TV festival in Europe—Ahmad Adedimeji Amobi browses the in-train film catalogue: French, Italian, Indian, American. Nollywood? Not there. Even on the flight over, Nigerian films were buried under ‘World’ then ‘African.’⁠
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Nollywood has topped Netflix global charts (Aníkúlápó, Shanty Town), attracted streaming giants like Amazon and Netflix, and sent delegations to Europe’s most prestigious festivals. Yet, the industry remains on the margins: overlooked by the Oscars, sidelined by global distributors and perpetually asked to prove its worth.⁠
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Ahmad Adedimeji Amobi’s essay draws from the Series Mania Forum (where ten Nollywood filmmakers joined Africa’s cultural elite) to ask urgent questions: Why does Hollywood exist in Nigeria but not vice versa? Is the industry being undermined by its obsession with volume over quality? What happens if streamers pull out completely? And why hasn’t Nollywood, despite decades of output, been invited to sit at the table of global cinematic power?⁠
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With commentary from Kunle Afolayan, Mimidoo Bartel and Blessing Uzzi, this essay is a sharp reflection on race, gatekeeping, cultural capital and the complex politics of distribution.⁠
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Read the full essay by clicking this image in the link in bio or our IG story.⁠
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📌 Check the pinned comment for our question of the day.
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📝: Ahmad Adedimeji Amobi (@ahmad_adedimeji)⁠
📸: Photo illustration by Ezinne Osueke (@ezinne.o.osueke) / THE REPUBLIC. Source Ref: UNSPLASH. Nollywood sign / RIPPLES NIGERIA. ⁠
🔍: Ijapa O (@ijapa_o), Peace Yetunde Onafuye (@yetundeandbooks), Wale Lawal (@wallelawal); Editors.
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