At 89, Demas Nwoko invites us to prioritize local community impact over international glamour and to rethink the trajectory of African art and architecture.
Africans are no strangers to conservationists, preservationists and all manner of experts who call into question Africa’s internal capabilities to safeguard sites and objects of historical value. The Great Mosque of Djenné, its mud-brick walls annually restored by the community, poses a challenge to a Western approach to history which sees preservation as an end in itself, rather than a means to social cohesion.
With 600 million people expected to migrate to African cities by 2050, Africa must rethink its architecture as existing approaches have proven inadequate.
Sonny Okosun was one of the most beloved artists of his time. However, the singer’s gentle perspective has not always favoured his legacy, hinting at a deeper cultural and societal disconnect.
Flora Nwapa dedicated her life to writing in a period where women writing and publishing were not accorded the same respect as men. This resistance is reflected in her characters, especially Efuru.
Community engagement is central to the work of Burkinabé-German architect, Diébédo Francis Kéré, as he champions the use of local materials to build sustainable housing.
In recent years, Lagos has witnessed a surge in waterfront developments, mirroring the urban landscapes of cities like Miami and Los Angeles. Rather than fostering inclusive growth, these developments have intensified socio-spatial inequality while increasing climate vulnerabilities, such as rising sea levels and increased inner-city flooding.
In documenting and displaying the intricate cultures of wrapper tying and wrapper wearing in Rivers State, Aleruchi Kinika, the photographer behind the series, ‘Wrappers of Rivers’, says she ‘wanted to tell the story of the wrappers and Rivers people as one.’
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