EDITOR'S FOREWORD
Reimagining Nigerian Heritage
Our latest issue, Reimagining Nigerian Heritage, celebrates and ruminates on the unknown and underdiscussed aspects of what it means to be Nigerian today.
COVER INTERVIEW
The Necessity of Demas Nwoko’s Natural Synthesis
At 89, Demas Nwoko invites us to prioritize local community impact over international glamour and to rethink the trajectory of African art and architecture.
COVER ESSAY
The Strange Genius of William Onyeabor
The Nigerian musician William Onyeabor lived an enigmatic life, and his mysteriousness continues to foreground the light his music represents.
COVER ESSAY
The Endless Life of Onyeka Onwenu
Nigerian pop icon Onyeka Onwenu died earlier this year. With an iridescent career spanning decades, Onwenu’s knowledge of Nigeria’s failings ran as deep as her capacity to imagine and believe in a better Nigeria.
COVER ESSAY
The Timelessness of Tunde Kelani’s Ṣaworoìdẹ
Tunde Kelani released Ṣaworoìdẹ, the film many consider his best, 25 years ago in 1999 when Nigeria returned to democratic governance. The film continues to address important issues happening in Nigeria today.
COVER ESSAY
Eating With Buchi Emecheta
Motherhood and food through Buchi Emecheta’s The Joys of Motherhood.
THE MINISTRY OF ARTS / ARCHITECTURE DEPT.
The Fragile Beauty of Northern Architecture
An exploration of traditional northern Nigerian architecture takes you into Zaria City, where you experience centuries-old tradition and the march of modernity. Through the eyes of a traditional builder, a modern-day architect, and everyday residents, you learn about the meaning of these historic buildings and the issues threatening this rich heritage.
THE MINISTRY OF ARTS / FASHION DEPT.
Our Personal Relationships with Aṣọ Òkè
More than just fabric, aṣọ òkè is a piece of family history tied to celebrations and important events. aṣọ òkè often symbolizes the connections, legacies and pride handed down from one generation to the next.
THE MINISTRY OF BUSINESS x THE ECONOMY
The Misunderstood Economics of Igba Ọsọ Ahịa
Igba Ọsọ Ahịa is not just another middleman scheme, but a social business practice deeply rooted in Igbo society that integrates regional traders for the purpose of facilitating entrepreneurialism and financial independence.
THE MINISTRY OF BUSINESS X THE ECONOMY
The Weavers of Iseyin
Aṣọ-òfì does more than exist as a treasured Yoruba fabric and a commodity in Iseyin, its original home. It reflects a societal fabric interwoven with the changing cultural values, social norms, religious beliefs, education and economic systems of the Iseyin community.
THE MINISTRY OF CULTURAL AFFAIRS
Tsibbu, Magic and Hausa Medicine
How Hausa magic-medicine systems continue to exist between religion and culture.
THE MINISTRY OF CULTURAL AFFAIRS / FIRST DRAFT INTERVIEWS
The Books Writers Think Make the Perfect Holiday Gifts
As the holiday season approaches, we asked writers and booksellers—including Theresa Lola, Noo Saro-Wiwa, and Adedayo Agarau—for their top book recommendations to gift a loved one. Here’s what they told us.
THE MINISTRY OF CULTURAL AFFAIRS
The Reinvention of Nsibidi
Nsibidi, Nigeria’s historical writing script, offers a glimpse into the complexities and intricacies of African cultures. Today, a universe of creators, researchers and enthusiasts is on a quest to promote its resurgence in our contemporary world.
THE MINISTRY OF CULTURAL AFFAIRS
Wrappers of Rivers
In documenting and displaying the intricate cultures of wrapper tying and wrapper wearing in Rivers State, Aleruchi Kinika, the photographer behind the series, ‘Wrappers of Rivers’, says she ‘wanted to tell the story of the wrappers and Rivers people as one.’
THE MINISTRY OF MEMORIES
The Last Guardians of Yoruba Door Carving
Yoruba carvers were once revered for their intricate spiritual and cultural door designs. The few carvers remaining today persevere against a world that increasingly overlooks the value of their art.
the cover
‘Homecoming,’ by Shalom Ojo
BUY the COVER + MORE
SPECIAL THANKS
Illustrators: Ekundayo R. Baiyegunhi, Sheed Sorple Cecil, Kingsley Chibueze, Kevwe Ogini, Shalom Ojo, Charles Owen, Oluwaseye Sanyaolu and Dami Mojid.
Issue Design: Wale Lawal and Dami Mojid
Editors: Wale Lawal, Yusuf Omotayo, Peace Onafuye and Ada Nnadi
Partners: The French Embassy in Nigeria and StoryMi Academy.
Vol. 8, No. 1
An African Feminist Manifesto IntroductionIN THIS ISSUE
FOREWORD
⎈ An African Feminist Manifesto: The Republic V8, N1 by Wale LawalCOVER ESSAY
⎈ An African Feminist Manifesto: Towards Decolonial Worldmaking by Ololade Faniyi;FEATURED ESSAYS
⎈ Funke Akindele’s Path to a Billion Naira: How the ‘Queen of Wakapass’ Seized the Heart of Nollywood by Assumpta Audu; ⎈ A 40-Year-Old Japa Story: With a New Generation of Andrews Checking Out, Did Nigeria Really Survive? by Oyindamola Depo-Oyedokun; ⎈ War Against Melanin: The Menace of Skin-Bleaching in Nigeria by Foyin Ejilola; ⎈ ‘We Have the Same Destiny’: Geopolitical Projections in West Africa and the Wider Continent by Otobong Inieke; ⎈ (Non)Apology Cannot Mean Repair: King Charles’ Non-Apology to Kenyans by Mumbi Kanyogo; ⎈ Sacrifice and Rebirth: A Womanist Reading of African Women in Abrahamic Tradition by Kai Mora; ⎈ How to Build a Dream Body: The Disruptive Potential of Frida Orupabo’s Metamorphic Women by Kéchi Nne Nomu; ⎈ The Adah Archetype: 50 Years of Buchi Emecheta’s Second Class Citizen by Peace Yetunde Onafuye; ⎈ Shadows of a Forgotten Past: Unveiling the Truth of White Nanny, Black Child: Exploring the Untold Stories of Informally Fostered African Children in the UK by Jamila Pereira; and ⎈ Imperialism is the Arsonist of Our Forests: Towards an African Climate Justice Agenda by Aby L. Sène.FIRST DRAFT
⎈ ‘I Want My Writing to Sound on Paper How It Sounds in My Head and Heart’ by Oluwatomisin Olayinka OredeinART
⎈ Cover Illustration: ‘Women are Different, 2024’, by Diana Ejaita ⎈ Issue Design: Wale Lawal and Dami Mojid ⎈ Illustrators: Dami Mojid, Kevwe Ogini and Charles Owen.Forthcoming
In our next issue, The Republic will critically discuss Neo-colonialism in Africa⎈Share this:
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