As he turns 90, Wole Soyinka discusses the current state of the world, the power of African literature, the social climate in Tinubu’s Nigeria, and the world ahead.
Since the landmark Soyinka-Bọ́lẹ̀kájà debate of the 1980s, African poetry has sparked intense discussions about authenticity and the influence of Western literary traditions and forms on its poets.
Despite Wole Soyinka’s engaging, critical views about Négritude, why has the movement remained relevant in shaping Africa’s history, philosophy and literature?
In his poetry chapbook, Nature Knows A Little About Slave Trade, Nnadi Samuel flexes an impressive thematic range, perpending such timeless and timely conditions as social policing, childhood, slave trade, religion as well as sign language.
Nigerian writer, Chukwuebuka Ibeh, says the reception in Nigeria for his debut novel, Blessings, has been delightfully surprising: ‘I was prepared for much more vitriol, but that hasn’t been the case. I’ve also been amused by the split responses to events in the book, with some people wanting much less of the same thing that others seem to want much more of.’
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