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Southern Africa

Your guide to the essential ideas, trends, people and stories shaping Southern Africa.

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Mwinji Siame9 February 2025
Zambian women are pioneering a new museum culture that is revolutionizing cultural preservation through a fusion of digital technology and indigenous knowledge systems, challenging Western colonial institutions’ claims to being rightful custodians of African heritage.
Rekgotsofetse Chikane2 February 2025
Coalition governance offers potential for enhancing democracy in theory; but the dominance of party-political funding and influence of elite and commercial interests from the minerals-energy-finance sectors risk exacerbating political and economic inequalities in South Africa.
Adenike Fapohunda27 October 2024
The rejection of Chidimma Adetshina by the South African public perhaps reflects a complex post-apartheid conception of Blackness—and more specifically, Black womanhood—that is rigid and unaccommodating to those who differ, whether by ethnicity or nationality.
Marie-Simone Kadurira11 August 2024
During Zimbabwe’s economic turmoil of the late 2000s, my sister and I navigated a land defined by scarcity and resilience as we experienced the collapse of Zimbabwe’s economy, our community and our family.

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‘Literature Teaches a Nation to Know Itself’
Ben Okri22 March 2026

‘Literature Teaches a Nation to Know Itself’

Nigerian poet, novelist and author of Madame Sosostris and the Festival for the Broken-Hearted, Ben Okri, argues that Nigerian literature doesn’t always have to be about Nigeria: ‘Nigerian literature limits itself to Nigeria and then limits even the ways in which the country can be written about. What we want is a vast literature, a great literature…that speaks to all humanity.’

‘Literature Is One of Our Most Powerful Archival Machines’
Bibi Bakare-Yusuf22 March 2026

‘Literature Is One of Our Most Powerful Archival Machines’

For the co-founder and publishing director, of Cassava Republic Press, which marks its 20th anniversary this year, Bibi Bakare-Yusuf, it is telling that African literature is often pronounced dead in recent years, when more women and queer voices are becoming more prominent: ‘The loudest obituary writers about African literature tend to be men. These elegies seem to come from a tacit sense of personal or generational displacement rather than from the actual state of the field.’