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Kenyan publisher and co-founder of Soma Nami Books, Muthoni Muiruri, loves to read books that are intellectually stimulating and evoke an emotional reaction: ‘If a book makes me cry and teaches me empathy; if the characters stay with me long after reading, I consider that a forever book.
We know very little about the personal lives of historical figures and this fascinates me—how they loved, how they hurt, how they felt, and what moved them.
Some believe that reading always has to be serious and about serious things. And that any serious reading can only be found in non-fiction works.
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About the Author
is a Nairobi-based literary advocate, entrepreneur, and publisher. She is the co-founder of Soma Nami Books, an inclusive Pan-African bookstore in Nairobi, and curator of the African Book Fair, Kenya’s pioneering book fair spotlighting African writing and storytelling.
Nigerian novelist, poet and author of Graceland, Chris Abani, does not believe ‘Nigerian literature’ exists as a category: ‘It is a common misconception that there is a fixed category that can be read as essentially “Nigerian literature”. Nigeria has 500 nations, 500 languages and about 2,000 dialects. While culture and language can overlap, the level of diversity is such that Nigerian literature cannot be easily narrowed down.’
For the co-founder and publishing director, of Cassava Republic Press, which marks its 20th anniversary this year, Bibi Bakare-Yusuf, it is telling that African literature is often pronounced dead in recent years, when more women and queer voices are becoming more prominent: ‘The loudest obituary writers about African literature tend to be men. These elegies seem to come from a tacit sense of personal or generational displacement rather than from the actual state of the field.’
Nigerian poet, novelist and author of Madame Sosostris and the Festival for the Broken-Hearted, Ben Okri, argues that Nigerian literature doesn’t always have to be about Nigeria: ‘Nigerian literature limits itself to Nigeria and then limits even the ways in which the country can be written about. What we want is a vast literature, a great literature…that speaks to all humanity.’
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