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Sierra Leonean academic and author of So the Path Does Not Die , Pede Hollist, wants more people to know about the diversity of Sierra Leonean literature: ‘I wish people are aware of the efforts by Sierra Leoneans to write in the country’s national languages, and the financial struggles to support y
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About the Author
is a Professor of English at The University of Tampa and an award-winning fiction writer who teaches African literature and creative writing. The African Literature Association named 'Wherever Something Stands Something Else Must Stand Beside' the 2023 Best Short Story and So the Path Does Not Die the 2014 Creative Book of the Year. His short story 'Foreign Aid' was shortlisted for the 2013 Caine Prize.
Nigerian novelist, poet and author of Graceland, Chris Abani, does not believe ‘Nigerian literature’ exists as a category: ‘It is a common misconception that there is a fixed category that can be read as essentially “Nigerian literature”. Nigeria has 500 nations, 500 languages and about 2,000 dialects. While culture and language can overlap, the level of diversity is such that Nigerian literature cannot be easily narrowed down.’
For the co-founder and publishing director, of Cassava Republic Press, which marks its 20th anniversary this year, Bibi Bakare-Yusuf, it is telling that African literature is often pronounced dead in recent years, when more women and queer voices are becoming more prominent: ‘The loudest obituary writers about African literature tend to be men. These elegies seem to come from a tacit sense of personal or generational displacement rather than from the actual state of the field.’
Nigerian poet, novelist and author of Madame Sosostris and the Festival for the Broken-Hearted, Ben Okri, argues that Nigerian literature doesn’t always have to be about Nigeria: ‘Nigerian literature limits itself to Nigeria and then limits even the ways in which the country can be written about. What we want is a vast literature, a great literature…that speaks to all humanity.’
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